"Heavy metal na jugoslovenski način" - nastanak i razvoj metal scene u Jugoslaviji
"Playing the Heavy Metal Yugoslav Way" - Emergence and Development of the Metal Scene in Yugoslavia
Authors
Radovanović, Bojana
Contributors
Веселиновић-Хофман, МирјанаАтанасовски, Срђан
Совтић, Немања
Book part (Published version)
Metadata
Show full item recordAbstract
Predmet ovog rada biće nastanak i razvoj jugoslovenske metal scene. Tokom 70-ih
i 80-ih godina 20. veka, u republikama SFR Jugoslavije počinju da se javljaju bendovi čija se
muzika načelno može smestiti u okvire heavy metala. Osim toga, decenija koja je vodila
ka raspadu „velike” Jugoslavije posvedočila je nastanku bendova koji su bili predstavnici
‘ekstremnijih’ podžanrova (thrash, speed, death metal). Imajući u vidu današnju perspektivu
na istoriju metal muzike i usložnjavanje njenih podžanrovskih podela, kao i specifičan modus
recepcije ove muzičke struje u socijalističkom kontekstu, mapiraću značajne izvođače i uočiti
(pod)žanrovska pomeranja koja su vodila stvaranju metal scene u SFR Jugoslaviji. Takođe,
praćenje razvoja scene, kao i njenih zvučnih i logističkih specifičnosti, približiće nas odgovoru
na pitanje koje, uostalom, prati i druge vidove muzike ‘uvezene u Jugoslaviju’ – pitanje da li
se i na koji način lokalno/jugoslovensko očituje u jugoslovenskoj metal muzici... osme i devete
decenije 20. veka.
The subject of this paper is the beginning and development of the Yugoslav metal scene.
During the seventies and the eighties of the 20th century, in the republics of SFR Yugoslavia
there emerged bands, whose music could be basically considered heavy metal. In addition, a
decade that led to the breakup of “great” Yugoslavia testified to the formation of bands who
were representatives of somewhat more “extreme” subgenres, such as thrash, speed, death
metal. Bearing in mind the present perspective on the history of metal music and the complexity
of its subgenres, as well as the specific mode of reception of this musical wave in the
socialist context, I mapped out the important performers and perceived (sub)genre shifts
that aspired to create a metal scene in the SFR Yugoslavia. Following the development of the
scene in this way, as well as its sound and logistic specificities, possibly also brought us closer
to the answer to the question which, after all, is associated to other... forms of music ‘imported
into Yugoslavia’ – the question of whether and how the local / Yugoslav is manifested in the
Yugoslav metal music of the eighth and ninth decades of the 20th century.
Keywords:
Jugoslavija / jugoslovenska popularna muzika / muzičke scene / metal muzika / jugoslovenska metal muzikaSource:
Југословенска идеја у/о музици. Зборник радова са научног скупа одржаног 25-26. маја 2019. године, 2020, 246-258Publisher:
- Београд : Музиколошко друштво Србије
- Нови Сад : Матица српска
Projects:
- Serbian musical identities within local and global frameworks: traditions, changes, challenges (RS-177004)
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