Josip Slavenski: skice, beleške, crteži

Abstract

U rukopisnoj zaostavštini Josipa Slavenskog (1896–1955) koja se čuva u Biblioteci Fakulteta muzičke umetnosti u Beogradu, pored notnog materijala koji čini njen najveći deo, nalazi se pozamašan broj različitih beležaka, muzičkih skica i crteža. Taj možda manje poznati deo rukopisne zaostavštine svedoči o kompozitorovoj širokoj paleti interesovanja za fundamentalne nauke i njihovu potencijalnu vezu sa muzikom. Kada je reč o beleškama, one se najčešće tiču astroakustike i elektroakustičke muzike; crteži pak više otkrivaju kompozitorova pomenuta interesovanja za fundamentalne nauke, dok notne beleške, čini se, najviše ukazuju na načine na koje bi se sve različite naučne i umetničke grane koje je Slavenski poznavao, stapale u zvuk. Stoga, u ovom radu cilj je da se prikažu neke od najrazličitijih kompozitorovih beležaka iz rukopisne zaostavštine i samim tim osvetle neke, čini se manje poznate, strane njegove poetike.

In this paper, the author tried to analyse various manuscripts from the Josip Slavenski’s Manuscript Legacy, which is kept at the Faculty of Music Library in Belgrade. Next, to sheet music manuscripts, which make up for the majority of this legacy, there are various notes, sketches and drawings, which discover numerous interests of Slavenski. Therefore the author tried to split them into three groups: 1) mass songs and various correspondencies regarding the social engagement of Slavenski; 2) notes and sketches related to musical folklore and ornithology; 3) drawings, sketches and notes regarding the astroacoustics and relations between music and fundamental sciences. Therefore, the conclusion is that all the interests of Slavenski are in many ways interconnected, that the boundaries between them are no longer visible. Thus the Yugoslav idea is surpassed and upgraded by the composer’s will to discover the mysteries of the universe.