This paper contains an overview of the research on traditional instrumental music in Serbia with a special focus on the latent ideas regarding typology. Namely, in comparison with traditional songs, instrumental music has not been thoroughly researched. Consequently, there is neither comprehensive systematization nor explicit typology of instrumental music. Meanwhile, the marginalization of some instruments in folklore practice has led to almost disappearance of particular genres and instrumental music styles and to the new problem of typology with historical dimension, i.e. inclusion of tradition’s dynamism. The main goal is the reaffirmation of that kind of thinking in Serbian ethnomusicological circles and the advocacy of systematization and typology in current and future projects.
Keywords:
Traditional instrumental music / Serbia / typology / genres of instrumental music / dance music / epic music / sound signals/announcements / children instruments' sound/music / identity of instrumental music / applied value of music typologies
Source:
Toward a Typology of Traditional Music / K otázkám typologie tradiční, 2017, 73-79
Publisher:
Praha : Etnologický ústav Akademie věd České republiky, v.v.i.
TY - CONF
AU - Lajić Mihajlović, Danka
PY - 2017
UR - http://dais.sanu.ac.rs/123456789/8908
AB - This paper contains an overview of the research on traditional instrumental music in Serbia with a special focus on the latent ideas regarding typology. Namely, in comparison with traditional songs, instrumental music has not been thoroughly researched. Consequently, there is neither comprehensive systematization nor explicit typology of instrumental music. Meanwhile, the marginalization of some instruments in folklore practice has led to almost disappearance of particular genres and instrumental music styles and to the new problem of typology with historical dimension, i.e. inclusion of tradition’s dynamism. The main goal is the reaffirmation of that kind of thinking in Serbian ethnomusicological circles and the advocacy of systematization and typology in current and future projects.
PB - Praha : Etnologický ústav Akademie věd České republiky, v.v.i.
C3 - Toward a Typology of Traditional Music / K otázkám typologie tradiční
T1 - Toward the Typology of Traditional Instrumental Music of Serbia
SP - 73
EP - 79
ER -
@conference{
author = "Lajić Mihajlović, Danka",
year = "2017",
url = "http://dais.sanu.ac.rs/123456789/8908",
abstract = "This paper contains an overview of the research on traditional instrumental music in Serbia with a special focus on the latent ideas regarding typology. Namely, in comparison with traditional songs, instrumental music has not been thoroughly researched. Consequently, there is neither comprehensive systematization nor explicit typology of instrumental music. Meanwhile, the marginalization of some instruments in folklore practice has led to almost disappearance of particular genres and instrumental music styles and to the new problem of typology with historical dimension, i.e. inclusion of tradition’s dynamism. The main goal is the reaffirmation of that kind of thinking in Serbian ethnomusicological circles and the advocacy of systematization and typology in current and future projects.",
publisher = "Praha : Etnologický ústav Akademie věd České republiky, v.v.i.",
journal = "Toward a Typology of Traditional Music / K otázkám typologie tradiční",
title = "Toward the Typology of Traditional Instrumental Music of Serbia",
pages = "73-79"
}
Lajić Mihajlović D. Toward the Typology of Traditional Instrumental Music of Serbia. Toward a Typology of Traditional Music / K otázkám typologie tradiční. 2017;:73-79
,& Lajić Mihajlović, D. (2017). Toward the Typology of Traditional Instrumental Music of Serbia.
Toward a Typology of Traditional Music / K otázkám typologie tradičníPraha : Etnologický ústav Akademie věd České republiky, v.v.i.., null, 73-79.
Lajić Mihajlović Danka, "Toward the Typology of Traditional Instrumental Music of Serbia" null (2017):73-79
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