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Фолклорно стваралаштво у бирократском коду : управљање музичким догађајем

Folklore in bureaucracy code: Running a music event

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Authors
Лукић Крстановић, Мирослава
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Етнографски институт САНУ
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Abstract
Фолклорно стваралаштво у домену музичког спектакла исказује се као парадигма, бирократско дело и јавна представа. Такво јавно дело успоставља културни, економски и политички поредак, у коме владају посебна правила расподеле власти и моћи. Зато фолклорни спектакл кроз своје програме и активности представља сцену и арену појединачних и групних интереса.
A music folk-created piece of work is a construction expressed as a paradigm part of a set in the bureaucracy system and the public arena. Such a work is a mechanical concept, which defines inheritance as a construction of authenticity saturated with elements of folk, national culture. It is also a subject of certain conventions in the system of regulations; namely, it is a part of the administrative code. The usage of the folk created work as a paradigm and legislations is realized through an organizational apparatus that is, it becomes entertainment, a spectacle. This paper analyzes the functioning of the organizational machinery of a folk spectacle, starting with the government authorities, local self-management and the spectacle's administrative committees. To illustrate this phenomenon, the paper presents the development of a trumpet playing festival in Dragačevo. This particular festival establishes a cultural, economic and political order with a clear and defined division of pow...er. The analysis shows that the folk event in question, through its programs and activities, represents a scene and arena of individual and group interests. Organizational interactions are recognized in binary oppositions: sovereignty/dependency official/unofficial, dominancy/ subordination, innovative/inherited common/different, needed/useful, original/copy, one's own/belonging to someone else.

Keywords:
фолклорно стваралаштво / музички спектакл / бирократија / интерес / folk creativity / music spectacle / bureaucracy / interest
Source:
Гласник Етнографског института САНУ / Bulletin of the Institute of Ethnography SASA, 2004, 52, 53-65
Publisher:
  • Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA
Funding / projects:
  • Савремена сеоска и градска култура – путеви и трансформација, бр. 1868 / Contemporary Rural and Urban Culture - Ways of Transformation, no. 1868

DOI: 10.2298/GEI0452053K

ISSN: 0350-0861 (print); 2334-8259 (online)

[ Google Scholar ]
Handle
https://hdl.handle.net/21.15107/rcub_dais_8778
URI
https://dais.sanu.ac.rs/123456789/8778
Collections
  • ЕИ САНУ - Радови истраживача / IE SASA - Researchers' publications
Institution/Community
Етнографски институт САНУ / Institute of Ethnography SASA
TY  - JOUR
AU  - Лукић Крстановић, Мирослава
PY  - 2004
UR  - https://dais.sanu.ac.rs/123456789/8778
AB  - Фолклорно стваралаштво у домену музичког спектакла исказује се као парадигма, бирократско дело и јавна представа. Такво јавно дело успоставља културни, економски и политички поредак, у коме владају посебна правила расподеле власти и моћи. Зато фолклорни спектакл кроз своје програме и активности представља сцену и арену појединачних и групних интереса.
AB  - A music folk-created piece of work is a construction expressed as a paradigm part of a set in the bureaucracy system and the public arena. Such a work is a mechanical concept, which defines inheritance as a construction of authenticity saturated with elements of folk, national culture. It is also a subject of certain conventions in the system of regulations; namely, it is a part of the administrative code. The usage of the folk created work as a paradigm and legislations is realized through an organizational apparatus that is, it becomes entertainment, a spectacle. This paper analyzes the functioning of the organizational machinery of a folk spectacle, starting with the government authorities, local self-management and the spectacle's administrative committees. To illustrate this phenomenon, the paper presents the development of a trumpet playing festival in Dragačevo. This particular festival establishes a cultural, economic and political order with a clear and defined division of power. The analysis shows that the folk event in question, through its programs and activities, represents a scene and arena of individual and group interests. Organizational interactions are recognized in binary oppositions: sovereignty/dependency official/unofficial, dominancy/ subordination, innovative/inherited common/different, needed/useful, original/copy, one's own/belonging to someone else.
PB  - Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA
T2  - Гласник Етнографског института САНУ / Bulletin of the Institute of Ethnography SASA
T1  - Фолклорно стваралаштво у бирократском коду : управљање музичким догађајем
T1  - Folklore in bureaucracy code: Running a music event
SP  - 53
EP  - 65
VL  - 52
DO  - 10.2298/GEI0452053K
UR  - https://hdl.handle.net/21.15107/rcub_dais_8778
ER  - 
@article{
author = "Лукић Крстановић, Мирослава",
year = "2004",
abstract = "Фолклорно стваралаштво у домену музичког спектакла исказује се као парадигма, бирократско дело и јавна представа. Такво јавно дело успоставља културни, економски и политички поредак, у коме владају посебна правила расподеле власти и моћи. Зато фолклорни спектакл кроз своје програме и активности представља сцену и арену појединачних и групних интереса., A music folk-created piece of work is a construction expressed as a paradigm part of a set in the bureaucracy system and the public arena. Such a work is a mechanical concept, which defines inheritance as a construction of authenticity saturated with elements of folk, national culture. It is also a subject of certain conventions in the system of regulations; namely, it is a part of the administrative code. The usage of the folk created work as a paradigm and legislations is realized through an organizational apparatus that is, it becomes entertainment, a spectacle. This paper analyzes the functioning of the organizational machinery of a folk spectacle, starting with the government authorities, local self-management and the spectacle's administrative committees. To illustrate this phenomenon, the paper presents the development of a trumpet playing festival in Dragačevo. This particular festival establishes a cultural, economic and political order with a clear and defined division of power. The analysis shows that the folk event in question, through its programs and activities, represents a scene and arena of individual and group interests. Organizational interactions are recognized in binary oppositions: sovereignty/dependency official/unofficial, dominancy/ subordination, innovative/inherited common/different, needed/useful, original/copy, one's own/belonging to someone else.",
publisher = "Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA",
journal = "Гласник Етнографског института САНУ / Bulletin of the Institute of Ethnography SASA",
title = "Фолклорно стваралаштво у бирократском коду : управљање музичким догађајем, Folklore in bureaucracy code: Running a music event",
pages = "53-65",
volume = "52",
doi = "10.2298/GEI0452053K",
url = "https://hdl.handle.net/21.15107/rcub_dais_8778"
}
Лукић Крстановић, М.. (2004). Фолклорно стваралаштво у бирократском коду : управљање музичким догађајем. in Гласник Етнографског института САНУ / Bulletin of the Institute of Ethnography SASA
Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA., 52, 53-65.
https://doi.org/10.2298/GEI0452053K
https://hdl.handle.net/21.15107/rcub_dais_8778
Лукић Крстановић М. Фолклорно стваралаштво у бирократском коду : управљање музичким догађајем. in Гласник Етнографског института САНУ / Bulletin of the Institute of Ethnography SASA. 2004;52:53-65.
doi:10.2298/GEI0452053K
https://hdl.handle.net/21.15107/rcub_dais_8778 .
Лукић Крстановић, Мирослава, "Фолклорно стваралаштво у бирократском коду : управљање музичким догађајем" in Гласник Етнографског института САНУ / Bulletin of the Institute of Ethnography SASA, 52 (2004):53-65,
https://doi.org/10.2298/GEI0452053K .,
https://hdl.handle.net/21.15107/rcub_dais_8778 .

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