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Face to face: the attitude between the collective and the individual in the first еngaged Yugoslav film

Лицем у лице: однос колектива и појединца у првом ангажованом југословенском филму

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Stevanović, Lada
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Abstract
Филм Лицем у лице Бранка Бауера снимљен је 1963. године. Често се назива првим критичким и политичким филмом. Након отпуштања једног радника, у предузећу се одржава раднички савет на коме се се његов колега супротставља директору, због чега бива избачен из партије. Читав филм заправо представља комплексну психолошку драму у коју су укључени сви присутни, отварајући низ питања која спадају у домен антропологије, а то су однос колектива према појединцу, динамика колектива који се надзире, хијерархија, механизми колективне припадности (и одбацивања), као и важност преузимања политичке одговорности итд. Снимање овог филма поклапа се са временом самоуправног социјализма и са покушајем да се смањи утицај који је новонастала повлашћена класа политичких руководилаца имала. У том смислу, у овом филму се може препознати и дидактичка компонента. По тематици и временско-просторној композицији, ово остварење подсећа на филм Дванаест гневних људи (1957).
The film Face to face (1963) has been directed by Branko Bauer and is often regarded to be the first political and critical film in Yugoslavia. The plot is set on a workers’ council, after a worker has been fired and his colleague (Milun Koprivica) stands up for him and openly confront the director. This act leads to the punishment of Koprivica – his exclusion from the Communist Party. The whole film is a complex psychological drama that includes all who are present, opening many questions that belong to the domain of anthropology, such as the attitude of the collective towards the individual, the dynamics of the collective that is disciplined, hierarchy, mechanisms of the belonging to (and rejection from) the collective, taking (political) responsibility etc. The film was produced during the period of selfmanaging socialism in Yugoslavia with the attempt to decrease the power of the newly established class of political elite. In that sense, the film has also didactical compone...nt. Its thematic and socio-temporal perspective resembles the famous film Twelve angry people (1957). The film Face to face (1963) has been directed by Branko Bauer and is often regarded to be the first political and critical film in Yugoslavia. The plot is set on a workers’ council, after a worker has been fired and his colleague (Milun Koprivica) stands up for him and openly confront the director. This act leads to the punishment of Koprivica – his exclusion from the Communist Party. The whole film is a complex psychological drama that includes all who are present, opening many questions that belong to the domain of anthropology, such as the attitude of the collective towards the individual, the dynamics of the collective that is disciplined, hierarchy, mechanisms of the belonging to (and rejection from) the collective, taking (political) responsibility etc. The film was produced during the period of self-managing socialism in Yugoslavia characteristic for the attempt to decrease the power of the newly established class of political elite. In that sense, the film has also didactical component. Its thematic and socio-temporal perspective resembles the famous film Twelve angry people (1957).

Keywords:
Лицем у лице / самоуправни социјализам / одговорност / појединац / колектив / КПЈ / Face to face / self-managing socialism / responsibility / individual / collective / CPY
Source:
Гласник Етнографског института САНУ / Bulletin of the Institute of Ethnography SASA, 2019, 67, 1, 187-202
Publisher:
  • Београд : Етнографски институт САНУ
Funding / projects:
  • Cultural heritage and identity (RS-177026)

DOI: 10.2298/GEI1901187S

ISSN: 0350-0861 (print edition); 2334-8259 (online)

[ Google Scholar ]
Handle
https://hdl.handle.net/21.15107/rcub_dais_7360
URI
https://dais.sanu.ac.rs/123456789/7360
Collections
  • ЕИ САНУ - Радови истраживача / IE SASA - Researchers' publications
Institution/Community
Етнографски институт САНУ / Institute of Ethnography SASA
TY  - JOUR
AU  - Stevanović, Lada
PY  - 2019
UR  - https://dais.sanu.ac.rs/123456789/7360
AB  - Филм Лицем у лице Бранка Бауера снимљен је 1963. године. Често се назива првим критичким и политичким филмом. Након отпуштања једног радника, у предузећу се одржава раднички савет на коме се се његов колега супротставља директору, због чега бива избачен из партије. Читав филм заправо представља комплексну психолошку драму у коју су укључени сви присутни, отварајући низ питања која спадају у домен антропологије, а то су однос колектива према појединцу, динамика колектива који се надзире, хијерархија, механизми колективне припадности (и одбацивања), као и
важност преузимања политичке одговорности итд. Снимање овог филма поклапа се са временом самоуправног социјализма и са покушајем да се смањи утицај који је новонастала повлашћена класа политичких руководилаца имала. У том смислу, у овом филму се може препознати и дидактичка компонента. По тематици и временско-просторној композицији, ово остварење подсећа на филм Дванаест гневних људи (1957).
AB  - The film Face to face (1963) has been directed by Branko Bauer and is often regarded to be
the first political and critical film in Yugoslavia. The plot is set on a workers’ council, after a
worker has been fired and his colleague (Milun Koprivica) stands up for him and openly
confront the director. This act leads to the punishment of Koprivica – his exclusion from the
Communist Party. The whole film is a complex psychological drama that includes all who
are present, opening many questions that belong to the domain of anthropology, such as the
attitude of the collective towards the individual, the dynamics of the collective that is
disciplined, hierarchy, mechanisms of the belonging to (and rejection from) the collective,
taking (political) responsibility etc. The film was produced during the period of selfmanaging socialism in Yugoslavia with the attempt to decrease the power of the newly established class of political elite. In that sense, the film has also didactical component. Its
thematic and socio-temporal perspective resembles the famous film Twelve angry people
(1957). The film Face to face (1963) has been directed by Branko Bauer and is often
regarded to be the first political and critical film in Yugoslavia. The plot is set on a workers’
council, after a worker has been fired and his colleague (Milun Koprivica) stands up for him
and openly confront the director. This act leads to the punishment of Koprivica – his
exclusion from the Communist Party. The whole film is a complex psychological drama that
includes all who are present, opening many questions that belong to the domain of
anthropology, such as the attitude of the collective towards the individual, the dynamics of
the collective that is disciplined, hierarchy, mechanisms of the belonging to (and rejection
from) the collective, taking (political) responsibility etc. The film was produced during the
period of self-managing socialism in Yugoslavia characteristic for the attempt to decrease
the power of the newly established class of political elite. In that sense, the film has also
didactical component. Its thematic and socio-temporal perspective resembles the famous
film Twelve angry people (1957).
PB  - Београд : Етнографски институт САНУ
T2  - Гласник Етнографског института САНУ / Bulletin of the Institute of Ethnography SASA
T1  - Face to face: the attitude between the collective and the individual in the first еngaged Yugoslav film
T1  - Лицем у лице: однос колектива и појединца у првом ангажованом југословенском филму
SP  - 187
EP  - 202
VL  - 67
IS  - 1
DO  - 10.2298/GEI1901187S
UR  - https://hdl.handle.net/21.15107/rcub_dais_7360
ER  - 
@article{
author = "Stevanović, Lada",
year = "2019",
abstract = "Филм Лицем у лице Бранка Бауера снимљен је 1963. године. Често се назива првим критичким и политичким филмом. Након отпуштања једног радника, у предузећу се одржава раднички савет на коме се се његов колега супротставља директору, због чега бива избачен из партије. Читав филм заправо представља комплексну психолошку драму у коју су укључени сви присутни, отварајући низ питања која спадају у домен антропологије, а то су однос колектива према појединцу, динамика колектива који се надзире, хијерархија, механизми колективне припадности (и одбацивања), као и
важност преузимања политичке одговорности итд. Снимање овог филма поклапа се са временом самоуправног социјализма и са покушајем да се смањи утицај који је новонастала повлашћена класа политичких руководилаца имала. У том смислу, у овом филму се може препознати и дидактичка компонента. По тематици и временско-просторној композицији, ово остварење подсећа на филм Дванаест гневних људи (1957)., The film Face to face (1963) has been directed by Branko Bauer and is often regarded to be
the first political and critical film in Yugoslavia. The plot is set on a workers’ council, after a
worker has been fired and his colleague (Milun Koprivica) stands up for him and openly
confront the director. This act leads to the punishment of Koprivica – his exclusion from the
Communist Party. The whole film is a complex psychological drama that includes all who
are present, opening many questions that belong to the domain of anthropology, such as the
attitude of the collective towards the individual, the dynamics of the collective that is
disciplined, hierarchy, mechanisms of the belonging to (and rejection from) the collective,
taking (political) responsibility etc. The film was produced during the period of selfmanaging socialism in Yugoslavia with the attempt to decrease the power of the newly established class of political elite. In that sense, the film has also didactical component. Its
thematic and socio-temporal perspective resembles the famous film Twelve angry people
(1957). The film Face to face (1963) has been directed by Branko Bauer and is often
regarded to be the first political and critical film in Yugoslavia. The plot is set on a workers’
council, after a worker has been fired and his colleague (Milun Koprivica) stands up for him
and openly confront the director. This act leads to the punishment of Koprivica – his
exclusion from the Communist Party. The whole film is a complex psychological drama that
includes all who are present, opening many questions that belong to the domain of
anthropology, such as the attitude of the collective towards the individual, the dynamics of
the collective that is disciplined, hierarchy, mechanisms of the belonging to (and rejection
from) the collective, taking (political) responsibility etc. The film was produced during the
period of self-managing socialism in Yugoslavia characteristic for the attempt to decrease
the power of the newly established class of political elite. In that sense, the film has also
didactical component. Its thematic and socio-temporal perspective resembles the famous
film Twelve angry people (1957).",
publisher = "Београд : Етнографски институт САНУ",
journal = "Гласник Етнографског института САНУ / Bulletin of the Institute of Ethnography SASA",
title = "Face to face: the attitude between the collective and the individual in the first еngaged Yugoslav film, Лицем у лице: однос колектива и појединца у првом ангажованом југословенском филму",
pages = "187-202",
volume = "67",
number = "1",
doi = "10.2298/GEI1901187S",
url = "https://hdl.handle.net/21.15107/rcub_dais_7360"
}
Stevanović, L.. (2019). Face to face: the attitude between the collective and the individual in the first еngaged Yugoslav film. in Гласник Етнографског института САНУ / Bulletin of the Institute of Ethnography SASA
Београд : Етнографски институт САНУ., 67(1), 187-202.
https://doi.org/10.2298/GEI1901187S
https://hdl.handle.net/21.15107/rcub_dais_7360
Stevanović L. Face to face: the attitude between the collective and the individual in the first еngaged Yugoslav film. in Гласник Етнографског института САНУ / Bulletin of the Institute of Ethnography SASA. 2019;67(1):187-202.
doi:10.2298/GEI1901187S
https://hdl.handle.net/21.15107/rcub_dais_7360 .
Stevanović, Lada, "Face to face: the attitude between the collective and the individual in the first еngaged Yugoslav film" in Гласник Етнографског института САНУ / Bulletin of the Institute of Ethnography SASA, 67, no. 1 (2019):187-202,
https://doi.org/10.2298/GEI1901187S .,
https://hdl.handle.net/21.15107/rcub_dais_7360 .

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