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From the Classical Serbian Epics to the Hague Thematic Circle and Back: Decasyllabic Singing as a Linguistic Register Seen from the Functional Perspective

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2019
bitstream_28816.pdf (10.85Mb)
Authors
Trubarac Matić, Đorđina
Contributors
Martynova, Marina
Bašić, Ivana
Book part (Published version)
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Abstract
Contemporary singing to the gusle and the new decasyllabic songs made in the style of the Serbian “classical epics” ‒ which both gained in public visibility with the break-up of Yugoslavia ‒ is a phenomenon which calls for scholars’ attention. Until recently, the interest has been reduced to the attempts of explaining its sudden expansion by relating it to the rising nationalism and populism during the 1990s. This made some authors reduce the whole contemporary singing to the gusle to the instrument for promoting the warmongering and extreme-nationalist ideas. The disdain for these ideological and political standpoints was transferred not only to the “new” singing to the gusle, but to the gusle itself and their language ‒ which put some scholars in the situation to defend this instrument and the language of the epic genre from accusations of their “historical guilt” for the war during the nineties. This paper aims to show that the contemporary singing to the gusle ‒ at least among the... Serbian population ‒ is a complex phenomenon (both from the thematic and functional points of view) and that the songs about the events and historical protagonists of the nineties are only one of its subtypes. Communication in epic decasyllables is discussed as one of the historically recorded registers of the Serbian language, which, as such, should not be the object of ethical evaluation since it does not imply any ethical value in its very form and structure.

Keywords:
contemporary practice of singing to the gusle / polemic on gusle / epic decasyllable as register of Serbian language / (ab)use of epic register
Source:
Prospects for Anthropological Research in South-East Europe, 2019, 89-113
Publisher:
  • Moscow : N. N. Miklouho-Maklay Institute of Ethnology and Anthropology Russian Academy of Sciences
  • Belgrade : Institute of Ethnography SASA
Funding / projects:
  • Interdisciplinary research of Serbian cultural and linguistic heritage. Creation of multimedial Internet portal “The Lexicon of Serbian Culture” (RS-47016)

DOI: 10.33876/978-542-110-238-0/69-113

ISBN: 978-542-110-238 0

[ Google Scholar ]
Handle
https://hdl.handle.net/21.15107/rcub_dais_7345
URI
https://dais.sanu.ac.rs/123456789/7345
Collections
  • ЕИ САНУ - Радови истраживача / IE SASA - Researchers' publications
Institution/Community
Етнографски институт САНУ / Institute of Ethnography SASA
TY  - CHAP
AU  - Trubarac Matić, Đorđina
PY  - 2019
UR  - https://dais.sanu.ac.rs/123456789/7345
AB  - Contemporary singing to the gusle and the new decasyllabic songs made in the style of the Serbian “classical epics” ‒ which both gained in public visibility with the break-up of Yugoslavia ‒ is a phenomenon which calls for scholars’ attention. Until recently, the interest has been reduced to the attempts of explaining its sudden
expansion by relating it to the rising nationalism and populism during the 1990s. This made some authors reduce the whole contemporary singing to the gusle to the instrument for promoting the warmongering and extreme-nationalist ideas. The disdain for these ideological and political standpoints was transferred not only to the “new” singing to the gusle, but to the gusle itself and their language ‒ which put some scholars in the situation to defend this instrument and the language of the epic genre from accusations of their “historical guilt” for the war during the nineties. This paper aims to show that the contemporary singing to the gusle ‒ at least among the Serbian population ‒ is a complex phenomenon (both from the thematic and functional points of view) and that the songs about the events and historical protagonists of the nineties are only one of its subtypes. Communication in epic decasyllables is discussed as one of the historically recorded registers of the Serbian language, which, as such, should not be the object of ethical evaluation since it does not imply any ethical value in its very form and structure.
PB  - Moscow : N. N. Miklouho-Maklay Institute of Ethnology and Anthropology Russian Academy of Sciences
PB  - Belgrade : Institute of Ethnography SASA
T2  - Prospects for Anthropological Research in South-East Europe
T1  - From the Classical Serbian Epics to the Hague Thematic Circle and Back: Decasyllabic Singing as a Linguistic Register Seen from the Functional Perspective
SP  - 89
EP  - 113
DO  - 10.33876/978-542-110-238-0/69-113
UR  - https://hdl.handle.net/21.15107/rcub_dais_7345
ER  - 
@inbook{
author = "Trubarac Matić, Đorđina",
year = "2019",
abstract = "Contemporary singing to the gusle and the new decasyllabic songs made in the style of the Serbian “classical epics” ‒ which both gained in public visibility with the break-up of Yugoslavia ‒ is a phenomenon which calls for scholars’ attention. Until recently, the interest has been reduced to the attempts of explaining its sudden
expansion by relating it to the rising nationalism and populism during the 1990s. This made some authors reduce the whole contemporary singing to the gusle to the instrument for promoting the warmongering and extreme-nationalist ideas. The disdain for these ideological and political standpoints was transferred not only to the “new” singing to the gusle, but to the gusle itself and their language ‒ which put some scholars in the situation to defend this instrument and the language of the epic genre from accusations of their “historical guilt” for the war during the nineties. This paper aims to show that the contemporary singing to the gusle ‒ at least among the Serbian population ‒ is a complex phenomenon (both from the thematic and functional points of view) and that the songs about the events and historical protagonists of the nineties are only one of its subtypes. Communication in epic decasyllables is discussed as one of the historically recorded registers of the Serbian language, which, as such, should not be the object of ethical evaluation since it does not imply any ethical value in its very form and structure.",
publisher = "Moscow : N. N. Miklouho-Maklay Institute of Ethnology and Anthropology Russian Academy of Sciences, Belgrade : Institute of Ethnography SASA",
journal = "Prospects for Anthropological Research in South-East Europe",
booktitle = "From the Classical Serbian Epics to the Hague Thematic Circle and Back: Decasyllabic Singing as a Linguistic Register Seen from the Functional Perspective",
pages = "89-113",
doi = "10.33876/978-542-110-238-0/69-113",
url = "https://hdl.handle.net/21.15107/rcub_dais_7345"
}
Trubarac Matić, Đ.. (2019). From the Classical Serbian Epics to the Hague Thematic Circle and Back: Decasyllabic Singing as a Linguistic Register Seen from the Functional Perspective. in Prospects for Anthropological Research in South-East Europe
Moscow : N. N. Miklouho-Maklay Institute of Ethnology and Anthropology Russian Academy of Sciences., 89-113.
https://doi.org/10.33876/978-542-110-238-0/69-113
https://hdl.handle.net/21.15107/rcub_dais_7345
Trubarac Matić Đ. From the Classical Serbian Epics to the Hague Thematic Circle and Back: Decasyllabic Singing as a Linguistic Register Seen from the Functional Perspective. in Prospects for Anthropological Research in South-East Europe. 2019;:89-113.
doi:10.33876/978-542-110-238-0/69-113
https://hdl.handle.net/21.15107/rcub_dais_7345 .
Trubarac Matić, Đorđina, "From the Classical Serbian Epics to the Hague Thematic Circle and Back: Decasyllabic Singing as a Linguistic Register Seen from the Functional Perspective" in Prospects for Anthropological Research in South-East Europe (2019):89-113,
https://doi.org/10.33876/978-542-110-238-0/69-113 .,
https://hdl.handle.net/21.15107/rcub_dais_7345 .

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