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dc.creatorMaglov, Marija
dc.date.accessioned2020-01-02T19:06:55Z
dc.date.available2020-01-02T19:06:55Z
dc.date.issued2019
dc.identifier.issn1821-3782 (Online)
dc.identifier.issn0354-4362
dc.identifier.urihttp://ojs.newsound.org.rs/index.php/NS/article/view/27/46
dc.identifier.urihttp://dais.sanu.ac.rs/123456789/6941
dc.description.abstractMusicologist and theoretician of art Bojana Radovanović published a monograph dedicated to the problem of experimental voice in contemporary theory and practice, in 2018. Radovanović’s book is based on her Master’s Thesis (further broadened and developed), defended at the Faculty of Media and Communication under the mentorship of Dr. Miško Šuvaković. Focus of the study is on the performance aspects and the voice itself and relies on the work focused on performance, the performative body and the political agency of art, produced in recent years. As for the methodology, the study is transdicisplinary in its character, since the main idea of thinking about experimental voice, its agency and its theoretical understanding ‘flows’ between the disciplines of musicology, performance studies, the theory of arts, psychology, philosophy.sr
dc.language.isoensr
dc.publisherBelgrade : Department of Musicology, Faculty of Musicsr
dc.relationinfo:eu-repo/grantAgreement/MESTD/Basic Research (BR or ON)/177004/RS//sr
dc.rightsopenAccesssr
dc.sourceNew Sound International Journal of Musicsr
dc.subjectexperimental voicesr
dc.subjectexperimentsr
dc.subjectcontemporary artsr
dc.subjecttheorysr
dc.titleBojana Radovanović, Eksperimentalni glas: Savremena teorija i praksa [Experimental Voice: Contemporary Theory and Practice], Belgrade: Orion Art, 2018, 170 pages, ISBN 978-86- 6389-073-21sr
dc.typearticlesr
dc.rights.licenseBY-NC-NDsr
dcterms.abstractМаглов, Марија;
dc.citation.spage164
dc.citation.epage167
dc.citation.issue54
dc.identifier.cobiss282170124
dc.type.versionpublishedVersionsr
dc.identifier.fulltexthttp://dais.sanu.ac.rs/bitstream/id/27622/Bojana book review.pdf


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