Annual concerts of cultural-artistic associations in Serbia: the clash of two different Concepts of professionalization
Конференцијски прилог (Објављена верзија)
Метаподаци
Приказ свих података о документуАпстракт
In this paper two concepts of professionalization are observed within a unique cultural context: the annual concept of the cultural-artistic society (KUD) in a small town in central Serbia. It is about the conception 1) of folklore in choreographies, and 2) of a neo-traditional approach to rural folk songs. The former conceptual direction has a long tradition in Serbia and criteria of professionalism in this respect are well established and confirmed through long lasting practice. The latter, relatively new (from the 1990s onwards), is still missing firm criteria for professionalization on the same level as the former one. Different elements of aesthetic and ethic goals are elaborated, as well as the demands of the audience for each of the two conceptions. In this case, through KUD activity, two different cultural patterns in contemporary Serbia may also be seen.
Кључне речи:
Serbia / Topola / cultural-artistic society / choreography / neo-traditionalИзвор:
Music and Dance in Southeastern Europe: new scopes of research and action, 2016, 134-140Издавач:
- Belgrade : Faculty of Music
Финансирање / пројекти:
- Идентитети српске музике од локалних до глобалних оквира: традиције, промене, изазови (RS-MESTD-Basic Research (BR or ON)-177004)
Напомена:
- Fourth symposium of the ICTM Study group on music and dance in Southeastern Europe, held at Petnica Science Center, Republic of Serbia, 24 September - 1 October 2014
Институција/група
Музиколошки институт САНУ / Institute of Musicology SASATY - CONF AU - Jovanović, Jelena PY - 2016 UR - https://dais.sanu.ac.rs/123456789/6852 AB - In this paper two concepts of professionalization are observed within a unique cultural context: the annual concept of the cultural-artistic society (KUD) in a small town in central Serbia. It is about the conception 1) of folklore in choreographies, and 2) of a neo-traditional approach to rural folk songs. The former conceptual direction has a long tradition in Serbia and criteria of professionalism in this respect are well established and confirmed through long lasting practice. The latter, relatively new (from the 1990s onwards), is still missing firm criteria for professionalization on the same level as the former one. Different elements of aesthetic and ethic goals are elaborated, as well as the demands of the audience for each of the two conceptions. In this case, through KUD activity, two different cultural patterns in contemporary Serbia may also be seen. PB - Belgrade : Faculty of Music C3 - Music and Dance in Southeastern Europe: new scopes of research and action T1 - Annual concerts of cultural-artistic associations in Serbia: the clash of two different Concepts of professionalization SP - 134 EP - 140 UR - https://hdl.handle.net/21.15107/rcub_dais_6852 ER -
@conference{ author = "Jovanović, Jelena", year = "2016", abstract = "In this paper two concepts of professionalization are observed within a unique cultural context: the annual concept of the cultural-artistic society (KUD) in a small town in central Serbia. It is about the conception 1) of folklore in choreographies, and 2) of a neo-traditional approach to rural folk songs. The former conceptual direction has a long tradition in Serbia and criteria of professionalism in this respect are well established and confirmed through long lasting practice. The latter, relatively new (from the 1990s onwards), is still missing firm criteria for professionalization on the same level as the former one. Different elements of aesthetic and ethic goals are elaborated, as well as the demands of the audience for each of the two conceptions. In this case, through KUD activity, two different cultural patterns in contemporary Serbia may also be seen.", publisher = "Belgrade : Faculty of Music", journal = "Music and Dance in Southeastern Europe: new scopes of research and action", title = "Annual concerts of cultural-artistic associations in Serbia: the clash of two different Concepts of professionalization", pages = "134-140", url = "https://hdl.handle.net/21.15107/rcub_dais_6852" }
Jovanović, J.. (2016). Annual concerts of cultural-artistic associations in Serbia: the clash of two different Concepts of professionalization. in Music and Dance in Southeastern Europe: new scopes of research and action Belgrade : Faculty of Music., 134-140. https://hdl.handle.net/21.15107/rcub_dais_6852
Jovanović J. Annual concerts of cultural-artistic associations in Serbia: the clash of two different Concepts of professionalization. in Music and Dance in Southeastern Europe: new scopes of research and action. 2016;:134-140. https://hdl.handle.net/21.15107/rcub_dais_6852 .
Jovanović, Jelena, "Annual concerts of cultural-artistic associations in Serbia: the clash of two different Concepts of professionalization" in Music and Dance in Southeastern Europe: new scopes of research and action (2016):134-140, https://hdl.handle.net/21.15107/rcub_dais_6852 .