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dc.contributorDespić, Dejan
dc.contributorJovanović, Jelena
dc.contributorLajić-Mihajlović, Danka
dc.creatorJovanović, Jelena
dc.date.accessioned2019-12-20T13:48:22Z
dc.date.available2019-12-20T13:48:22Z
dc.date.issued2012
dc.identifier.isbn978-86-80639-09-3
dc.identifier.urihttp://dais.sanu.ac.rs/handle/123456789/4103
dc.identifier.urihttp://dais.sanu.ac.rs/123456789/6849
dc.description.abstractThis paper discusses the circumstances under which the building and playing of the kaval became topical in Serbia (Belgrade) at the end of twentieth century: the work of the Byzantine choir “Saint John of Damascus” and expressions of personal and group identities participating in the process, through indication of the elements of music structure related to the principles in eastern music cultures.en
dc.language.isoensr
dc.publisherBelgrade : SASA : Institute of Musicology of SASAsr
dc.relationinfo:eu-repo/grantAgreement/MESTD/Basic Research (BR or ON)/177004/RS//sr
dc.rightsopenAccesssr
dc.sourceMusical practices in the Balkans : Ethnomusicological perspectivessr
dc.subjectSerbiasr
dc.subjectthe kavalsr
dc.subjectByzantine chantingsr
dc.subjectMacedoniansr
dc.subjectezgijasr
dc.subjectculture of the eastern Mediterraneansr
dc.subjectthe musical Eastsr
dc.titleIdentities expressed through practice of kaval playing and building in Serbia in 1990sen
dc.typeconferenceObjectsr
dc.rights.licenseBY-NC-NDsr
dcterms.abstractЈовановић, Јелена;
dc.citation.spage183
dc.citation.epage202
dc.description.otherZbornik je štampan i na srpskom jezikusr
dc.identifier.cobiss195889676
dc.type.versionpublishedVersionsr
dc.identifier.fulltexthttp://dais.sanu.ac.rs/bitstream/id/27338/bitstream_27338.pdf


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