This paper discusses the circumstances under which the building and playing of the kaval became topical in Serbia (Belgrade) at the end of twentieth century: the work of the Byzantine choir “Saint John of Damascus” and expressions of personal and group identities participating in the process, through indication of the elements of music structure related to the principles in eastern music cultures.
Keywords:
Serbia / the kaval / Byzantine chanting / Macedonian / ezgija / culture of the eastern Mediterranean / the musical East
Source:
Musical practices in the Balkans : Ethnomusicological perspectives, 2012, 183-202
TY - CONF
AU - Jovanović, Jelena
PY - 2012
UR - http://dais.sanu.ac.rs/handle/123456789/4103
UR - http://dais.sanu.ac.rs/123456789/6849
AB - This paper discusses the circumstances under which the building and playing of the kaval became topical in Serbia (Belgrade) at the end of twentieth century: the work of the Byzantine choir “Saint John of Damascus” and expressions of personal and group identities participating in the process, through indication of the elements of music structure related to the principles in eastern music cultures.
PB - Belgrade : SASA : Institute of Musicology of SASA
C3 - Musical practices in the Balkans : Ethnomusicological perspectives
T1 - Identities expressed through practice of kaval playing and building in Serbia in 1990s
SP - 183
EP - 202
ER -
@conference{
author = "Jovanović, Jelena",
year = "2012",
url = "http://dais.sanu.ac.rs/handle/123456789/4103, http://dais.sanu.ac.rs/123456789/6849",
abstract = "This paper discusses the circumstances under which the building and playing of the kaval became topical in Serbia (Belgrade) at the end of twentieth century: the work of the Byzantine choir “Saint John of Damascus” and expressions of personal and group identities participating in the process, through indication of the elements of music structure related to the principles in eastern music cultures.",
publisher = "Belgrade : SASA : Institute of Musicology of SASA",
journal = "Musical practices in the Balkans : Ethnomusicological perspectives",
title = "Identities expressed through practice of kaval playing and building in Serbia in 1990s",
pages = "183-202"
}
Jovanović J. Identities expressed through practice of kaval playing and building in Serbia in 1990s. Musical practices in the Balkans : Ethnomusicological perspectives. 2012;:183-202
,& Jovanović, J. (2012). Identities expressed through practice of kaval playing and building in Serbia in 1990s.
Musical practices in the Balkans : Ethnomusicological perspectivesBelgrade : SASA : Institute of Musicology of SASA., null, 183-202.
Jovanović Jelena, "Identities expressed through practice of kaval playing and building in Serbia in 1990s" null (2012):183-202
