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dc.contributorVeselinović-Hofman, Mirjana
dc.contributorMikić, Vesna
dc.contributorPopović Mlađenović, Tijana
dc.contributorPerković, Ivana
dc.creatorVesić, Ivana
dc.date.accessioned2019-12-04T21:40:40Z
dc.date.available2019-12-04T21:40:40Z
dc.date.issued2016
dc.identifier.isbn978-86-88619-73-8
dc.identifier.urihttp://dais.sanu.ac.rs/123456789/6756
dc.description.abstractIn this paper i will analyze the role of the interwar Radio Belgrade (1929-1941) in the process of mediation of the Yugoslav idea focusing on the music program. Attention was given to the strategies that music editors and professionals, hired by the radio station management, used in order to create radio shows and repertoires that would contribute to the dominant understanding of Yugoslav national culture and art. Because of the fact that there was no public consensus on the concept of Yugoslav music, radio officials dedicated to music program faced many difficulties while trying to implement it in practice.en
dc.language.isoensr
dc.publisherBelgrade : Faculty of Musicsr
dc.relationinfo:eu-repo/grantAgreement/MESTD/Basic Research (BR or ON)/177004/RS//sr
dc.rightsopenAccesssr
dc.sourceMusic: Transitions/Continuitiessr
dc.subjectInterwar Radio Belgradesr
dc.subjectYugoslav ideasr
dc.subjectsocial mediationsr
dc.subjectYugoslav musicsr
dc.subjectradio showssr
dc.titleMusic as a Mediator in the Process of Political and Cultural Transition: The Creation of Yugoslav Music in Radio Belgrade (1929-1941)en
dc.typebookPartsr
dc.rights.licenseBY-NC-NDsr
dcterms.abstractВесић, Ивана;
dc.citation.spage296
dc.citation.epage308
dc.identifier.cobiss223657996
dc.type.versionpublishedVersionsr
dc.identifier.fulltexthttp://dais.sanu.ac.rs/bitstream/id/27012/bitstream_27012.pdf


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