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dc.contributorNäripea, Eva
dc.creatorAtanasovski, Srđan
dc.creatorPetrov, Ana
dc.date.accessioned2019-11-08T13:40:01Z
dc.date.available2019-11-08T13:40:01Z
dc.date.issued2015
dc.identifier.issn2040-350X (print)
dc.identifier.issn2040-3518 (online)
dc.identifier.urihttp://dais.sanu.ac.rs/123456789/6627
dc.description.abstractThis article explores the role that the newsreel genre played in the production of socialist Yugoslav territory, understood as reshaping the body of the socius. We analyse news reports concerning voluntary youth labour actions, which were one of the most important features of Yugoslav socialist society and which featured heavily in Yugoslav official newsreels. We argue that the newsreel provided a specific liminal space in between the ‘real’/non-cinematic and ‘screened’/cinematic experience, where we locate occurrences of carnal encounters between the body on the cinematic screen and the body of the audience. In this regard, we discuss two characteristic types of frame which were present in the newsreel reports on labour actions: the somatic frame and the machinic-labour frame.en
dc.language.isoensr
dc.publisherUnited Kingdom : Routledgesr
dc.relationinfo:eu-repo/grantAgreement/MESTD/Basic Research (BR or ON)/177004/RS//
dc.rightsopenAccesssr
dc.sourceStudies in Eastern European Cinemasr
dc.subjectnewsreelsr
dc.subjectvoluntary youth labour actions (Dobrovoljne omladinske radne akcije)sr
dc.subjectsocialist Yugoslaviasr
dc.subjectproduction of territorysr
dc.subjectliminalitysr
dc.subjectcarnal encountersr
dc.titleCarnal encounters and producing socialist Yugoslavia: voluntary youth labour actions on the newsreel screenen
dc.typearticlesr
dc.rights.licenseBY-NC-NDsr
dcterms.abstractПетров, Aна; Aтанасовски, Срђан;
dc.citation.spage21
dc.citation.epage32
dc.citation.volume6
dc.citation.issue1
dc.identifier.doihttp://dx.doi.org/10.1080/2040350X.2014.992128
dc.type.versionpublishedVersionsr
dc.identifier.fulltexthttp://dais.sanu.ac.rs/bitstream/id/26590/bitstream_26590.pdf


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