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dc.contributorRutar, Sabine
dc.contributorDuijzings, Ger
dc.contributorWim, van Meurs
dc.creatorAtanasovski, Srđan
dc.date.accessioned2019-11-08T11:20:19Z
dc.date.available2019-11-08T11:20:19Z
dc.date.issued2016
dc.identifier.isbn0722-480X
dc.identifier.urihttps://www.hsozkult.de/journal/id/zeitschriftenausgaben-10227?language=en
dc.identifier.urihttp://dais.sanu.ac.rs/123456789/6624
dc.description.abstractIn this article I explore the sonic and music practices in the experience of the NATO bombing of Belgrade, focusing particularly on their role in the governmental apparatuses both of the NATO forces and of Milošević’s regime. Drawing on aff ect studies, I discuss sound and music not only as text, but as sheer intensity, as a vibrational body and force. I argue that the sonic element of the experience of NATO bombing proved important as it provided the surface area, the somatic layer of the war machine, on which the apparatuses of governance could operate and eff ectuate the production of meaning.en
dc.language.isoensr
dc.publisherMünchen : Oldenbourg Verlagsr
dc.relationinfo:eu-repo/grantAgreement/MESTD/Basic Research (BR or ON)/177004/RS//sr
dc.rightsopenAccesssr
dc.sourceSüdosteuropa. Journal of Politics and Society : Memories and Narratives of the 1999 NATO Bombing in Serbiasr
dc.subjectNATO bombing of Belgradesr
dc.subjectNATO forcessr
dc.subjectsonic and music practicessr
dc.title‘The Song Has Kept Us’: Soundscape of Belgrade during the NATO Bombingen
dc.typebookPartsr
dc.rights.licenseBY-NC-NDsr
dcterms.abstractAтанасовски, Срђан;
dc.citation.spage482
dc.citation.epage499
dc.citation.volume64
dc.citation.issue4
dc.identifier.doi10.1515/soeu-2016-0043
dc.type.versionpublishedVersionsr
dc.identifier.fulltexthttp://dais.sanu.ac.rs/bitstream/id/26587/bitstream_26587.pdf


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