dc.creator | Atanasovski, Srđan | |
dc.date.accessioned | 2019-11-07T12:43:05Z | |
dc.date.available | 2019-11-07T12:43:05Z | |
dc.date.issued | 2017 | |
dc.identifier.issn | 2217-9666 (printed) | |
dc.identifier.issn | 2406-1654 (online) | |
dc.identifier.uri | http://fmkjournals.fmk.edu.rs/index.php/AM/article/view/185 | |
dc.identifier.uri | https://dais.sanu.ac.rs/123456789/6618 | |
dc.description.abstract | The genre of the mass song is one of the fundamental phenomena in aesthetics
and practice of socialist realism. Mass songs are supposed not only to be accessible to the lay
audience, but also to be composed in a way that invites the participation of amateurs. Importantly,
the institutions which have been disseminating the mass song under state socialism, such
as various institutions of education, culture and art, have also served as mechanisms for the
normalization of its ideological content. This article summarizes important aspects of the concept
of the mass song in general and offers a multifaceted exemplification, before proceeding to
discuss the history of mass songs in socialist Yugoslavia (including, by and large, what is usually
referred to as partisan songs), with emphasis on the institutional framework through which they
were practiced and disseminated, and on specificities that the genre had accrued within the Yugoslav framework. This historical framework of practicing mass songs in Yugoslavia provides a
platform for opening the question of intrinsic incompatibility between the project of a classless
society and the institution of art. In regards to this, article discusses contemporary practice of
Yugoslav mass songs as practiced by self-organized choirs and their new political potential. | en |
dc.language.iso | en | sr |
dc.publisher | Belgrade : Faculty of Media and Communications, Singidunum University | sr |
dc.relation | info:eu-repo/grantAgreement/MESTD/Basic Research (BR or ON)/177004/RS// | sr |
dc.rights | openAccess | sr |
dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0/ | |
dc.source | AM Journal of Art and Media Studies | sr |
dc.subject | mass song | sr |
dc.subject | socialist realism | sr |
dc.subject | partisan art | sr |
dc.subject | canonization | sr |
dc.subject | amateurism | sr |
dc.title | Socialism or Art: Yugoslav Mass Song and Its Institutionalizations | en |
dc.type | article | sr |
dc.rights.license | BY-NC-ND | sr |
dcterms.abstract | Aтанасовски, Срђан; | |
dc.citation.spage | 31 | |
dc.citation.epage | 42 | |
dc.citation.volume | 13 | |
dc.identifier.doi | 10.25038/am.v0i13.185 | |
dc.type.version | publishedVersion | sr |
dc.identifier.fulltext | https://dais.sanu.ac.rs/bitstream/id/26554/bitstream_26554.pdf | |
dc.identifier.rcub | https://hdl.handle.net/21.15107/rcub_dais_6618 | |