The sixteenth-century miracle-working icon of the Virgin Glykophilousa in the Serbian Orthodox monastery of Savina, modern Montenegro, has been the focus of cult and devotions for centuries. A compelling visual presence, it played multiple roles: liturgical, social, legal, and cultic. In each of its roles, it provided support for ethnic and religious identity, being above all a palladium both for believers as individuals and for the Orthodox Christian community as a whole in the complex multicultural and multiconfessional contexts of foreign Venetian rule in the eighteenth-century Gulf of Kotor (Boka Kotorska/ Bocche di Cattaro).
Keywords:
Gulf of Kotor (Boka Kotorska/Bocche di Cattaro) / Virgin of Savina / Cretan School / ex-voto / palladium / multiculturalism / identity
Source:
Balcanica, 2017, 48, 33-53
Publisher:
Belgrade : Institute for Balkan Studies, Serbian Academy of Sciences and Arts
TY - JOUR
AU - Matić, Marina
PY - 2017
UR - http://www.doiserbia.nb.rs/Article.aspx?ID=0350-76531748033M
UR - https://dais.sanu.ac.rs/123456789/5290
AB - The sixteenth-century miracle-working icon of the Virgin Glykophilousa in the Serbian Orthodox monastery of Savina, modern Montenegro, has been the focus of cult and devotions for centuries. A compelling visual presence, it played multiple roles: liturgical, social, legal, and cultic. In each of its roles, it provided support for ethnic and religious identity, being above all a palladium both for believers as individuals and for the Orthodox Christian community as a whole in the complex multicultural and multiconfessional contexts of foreign Venetian rule in the eighteenth-century Gulf of Kotor (Boka Kotorska/ Bocche di Cattaro).
PB - Belgrade : Institute for Balkan Studies, Serbian Academy of Sciences and Arts
T2 - Balcanica
T1 - The Virgin of Savina : Identity and Multiculturalism
SP - 33
EP - 53
IS - 48
DO - 10.2298/BALC1748033M
UR - https://hdl.handle.net/21.15107/rcub_dais_5290
ER -
@article{
author = "Matić, Marina",
year = "2017",
abstract = "The sixteenth-century miracle-working icon of the Virgin Glykophilousa in the Serbian Orthodox monastery of Savina, modern Montenegro, has been the focus of cult and devotions for centuries. A compelling visual presence, it played multiple roles: liturgical, social, legal, and cultic. In each of its roles, it provided support for ethnic and religious identity, being above all a palladium both for believers as individuals and for the Orthodox Christian community as a whole in the complex multicultural and multiconfessional contexts of foreign Venetian rule in the eighteenth-century Gulf of Kotor (Boka Kotorska/ Bocche di Cattaro).",
publisher = "Belgrade : Institute for Balkan Studies, Serbian Academy of Sciences and Arts",
journal = "Balcanica",
title = "The Virgin of Savina : Identity and Multiculturalism",
pages = "33-53",
number = "48",
doi = "10.2298/BALC1748033M",
url = "https://hdl.handle.net/21.15107/rcub_dais_5290"
}
Matić, M.. (2017). The Virgin of Savina : Identity and Multiculturalism. in Balcanica
Belgrade : Institute for Balkan Studies, Serbian Academy of Sciences and Arts.(48), 33-53.
https://doi.org/10.2298/BALC1748033M
https://hdl.handle.net/21.15107/rcub_dais_5290
Matić M. The Virgin of Savina : Identity and Multiculturalism. in Balcanica. 2017;(48):33-53.
doi:10.2298/BALC1748033M
https://hdl.handle.net/21.15107/rcub_dais_5290 .
Matić, Marina, "The Virgin of Savina : Identity and Multiculturalism" in Balcanica, no. 48 (2017):33-53,
https://doi.org/10.2298/BALC1748033M .,
https://hdl.handle.net/21.15107/rcub_dais_5290 .
