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Avant-Garde Echoes in the Neither/Nor State. A Musicologist’s View on the Dissemination of Avant-Garde Movements

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2018
bitstream_16504.pdf (687.1Kb)
Authors
Radovanović, Bojana
Conference object (Published version)
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Abstract
This paper deals with the reception of European avant-garde in the Serbian/Yugoslav context of the 20th century, scrutinized in the highly influential study by Serbian musicologist Mirjana Veselinović-Hofman, “Creative Presence of European Avant-Garde with Us” [Stvaralačka prisutnost evropske avangarde u nas] (1983). While dealing with the musical reception of the avant-garde between the wars and during the sixties and the seventies, Veselinović-Hofman creates a musicological narrative through which we can observe several problematic knots regarding the model of center and periphery.
Keywords:
musicology / local avant-garde / musicological narrative
Source:
YMM: The East, the West, the In-Between, 2018
Projects:
  • Serbian musical identities within local and global frameworks: traditions, changes, challenges (RS-177004)
Note:
  • Online version (blog entry) available on the Young Musicology Munich 2018 Conference website.
[ Google Scholar ]
URI
https://ymmeastwest.wordpress.com/2018/11/04/avant-garde-echoes-in-the-neither-nor-state-a-musicologists-view-on-the-dissemination-of-avant-garde-movements/
http://dais.sanu.ac.rs/123456789/5232
Collections
  • МИ САНУ - Радови истраживача / MI SASA - Researchers' publications
Institution
Музиколошки институт САНУ / Institute of Musicology SASA
TY  - CONF
AU  - Radovanović, Bojana
PY  - 2018
UR  - https://ymmeastwest.wordpress.com/2018/11/04/avant-garde-echoes-in-the-neither-nor-state-a-musicologists-view-on-the-dissemination-of-avant-garde-movements/
UR  - http://dais.sanu.ac.rs/123456789/5232
AB  - This paper deals with the reception of European avant-garde in the Serbian/Yugoslav context of the 20th century, scrutinized in the highly influential study by Serbian musicologist Mirjana Veselinović-Hofman, “Creative Presence of European Avant-Garde with Us” [Stvaralačka prisutnost evropske avangarde u nas] (1983). While dealing with the musical reception of the avant-garde between the wars and during the sixties and the seventies, Veselinović-Hofman creates a musicological narrative through which we can observe several problematic knots regarding the model of center and periphery.
C3  - YMM: The East, the West, the In-Between
T1  - Avant-Garde Echoes in the Neither/Nor State. A Musicologist’s View on the Dissemination of Avant-Garde Movements
ER  - 
@conference{
author = "Radovanović, Bojana",
year = "2018",
url = "https://ymmeastwest.wordpress.com/2018/11/04/avant-garde-echoes-in-the-neither-nor-state-a-musicologists-view-on-the-dissemination-of-avant-garde-movements/, http://dais.sanu.ac.rs/123456789/5232",
abstract = "This paper deals with the reception of European avant-garde in the Serbian/Yugoslav context of the 20th century, scrutinized in the highly influential study by Serbian musicologist Mirjana Veselinović-Hofman, “Creative Presence of European Avant-Garde with Us” [Stvaralačka prisutnost evropske avangarde u nas] (1983). While dealing with the musical reception of the avant-garde between the wars and during the sixties and the seventies, Veselinović-Hofman creates a musicological narrative through which we can observe several problematic knots regarding the model of center and periphery.",
journal = "YMM: The East, the West, the In-Between",
title = "Avant-Garde Echoes in the Neither/Nor State. A Musicologist’s View on the Dissemination of Avant-Garde Movements"
}
Radovanović B. Avant-Garde Echoes in the Neither/Nor State. A Musicologist’s View on the Dissemination of Avant-Garde Movements. YMM: The East, the West, the In-Between. 2018;
,& Radovanović, B. (2018). Avant-Garde Echoes in the Neither/Nor State. A Musicologist’s View on the Dissemination of Avant-Garde Movements.
YMM: The East, the West, the In-Between, null. 
Radovanović Bojana, "Avant-Garde Echoes in the Neither/Nor State. A Musicologist’s View on the Dissemination of Avant-Garde Movements" null (2018)

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