This paper deals with the reception of European avant-garde in the Serbian/Yugoslav context of the 20th century, scrutinized in the highly influential study by Serbian musicologist Mirjana Veselinović-Hofman, “Creative Presence of European Avant-Garde with Us” [Stvaralačka prisutnost evropske avangarde u nas] (1983). While dealing with the musical reception of the avant-garde between the wars and during the sixties and the seventies, Veselinović-Hofman creates a musicological narrative through which we can observe several problematic knots regarding the model of center and periphery.
Keywords:
musicology / local avant-garde / musicological narrative
TY - CONF
AU - Radovanović, Bojana
PY - 2018
UR - https://ymmeastwest.wordpress.com/2018/11/04/avant-garde-echoes-in-the-neither-nor-state-a-musicologists-view-on-the-dissemination-of-avant-garde-movements/
UR - https://dais.sanu.ac.rs/123456789/5232
AB - This paper deals with the reception of European avant-garde in the Serbian/Yugoslav context of the 20th century, scrutinized in the highly influential study by Serbian musicologist Mirjana Veselinović-Hofman, “Creative Presence of European Avant-Garde with Us” [Stvaralačka prisutnost evropske avangarde u nas] (1983). While dealing with the musical reception of the avant-garde between the wars and during the sixties and the seventies, Veselinović-Hofman creates a musicological narrative through which we can observe several problematic knots regarding the model of center and periphery.
C3 - YMM: The East, the West, the In-Between
T1 - Avant-Garde Echoes in the Neither/Nor State. A Musicologist’s View on the Dissemination of Avant-Garde Movements
UR - https://hdl.handle.net/21.15107/rcub_dais_5232
ER -
@conference{
author = "Radovanović, Bojana",
year = "2018",
abstract = "This paper deals with the reception of European avant-garde in the Serbian/Yugoslav context of the 20th century, scrutinized in the highly influential study by Serbian musicologist Mirjana Veselinović-Hofman, “Creative Presence of European Avant-Garde with Us” [Stvaralačka prisutnost evropske avangarde u nas] (1983). While dealing with the musical reception of the avant-garde between the wars and during the sixties and the seventies, Veselinović-Hofman creates a musicological narrative through which we can observe several problematic knots regarding the model of center and periphery.",
journal = "YMM: The East, the West, the In-Between",
title = "Avant-Garde Echoes in the Neither/Nor State. A Musicologist’s View on the Dissemination of Avant-Garde Movements",
url = "https://hdl.handle.net/21.15107/rcub_dais_5232"
}
Radovanović, B.. (2018). Avant-Garde Echoes in the Neither/Nor State. A Musicologist’s View on the Dissemination of Avant-Garde Movements. in YMM: The East, the West, the In-Between.
https://hdl.handle.net/21.15107/rcub_dais_5232
Radovanović B. Avant-Garde Echoes in the Neither/Nor State. A Musicologist’s View on the Dissemination of Avant-Garde Movements. in YMM: The East, the West, the In-Between. 2018;.
https://hdl.handle.net/21.15107/rcub_dais_5232 .
Radovanović, Bojana, "Avant-Garde Echoes in the Neither/Nor State. A Musicologist’s View on the Dissemination of Avant-Garde Movements" in YMM: The East, the West, the In-Between (2018),
https://hdl.handle.net/21.15107/rcub_dais_5232 .
