Avant-Garde Echoes in the Neither/Nor State. A Musicologist’s View on the Dissemination of Avant-Garde Movements
Conference object (Published version)
Metadata
Show full item recordAbstract
This paper deals with the reception of European avant-garde in the Serbian/Yugoslav context of the 20th century, scrutinized in the highly influential study by Serbian musicologist Mirjana Veselinović-Hofman, “Creative Presence of European Avant-Garde with Us” [Stvaralačka prisutnost evropske avangarde u nas] (1983). While dealing with the musical reception of the avant-garde between the wars and during the sixties and the seventies, Veselinović-Hofman creates a musicological narrative through which we can observe several problematic knots regarding the model of center and periphery.
Keywords:
musicology / local avant-garde / musicological narrativeSource:
YMM: The East, the West, the In-Between, 2018Projects:
- Serbian musical identities within local and global frameworks: traditions, changes, challenges (RS-177004)
Note:
- Online version (blog entry) available on the Young Musicology Munich 2018 Conference website.
URI
https://ymmeastwest.wordpress.com/2018/11/04/avant-garde-echoes-in-the-neither-nor-state-a-musicologists-view-on-the-dissemination-of-avant-garde-movements/http://dais.sanu.ac.rs/123456789/5232
TY - CONF AU - Radovanović, Bojana PY - 2018 UR - https://ymmeastwest.wordpress.com/2018/11/04/avant-garde-echoes-in-the-neither-nor-state-a-musicologists-view-on-the-dissemination-of-avant-garde-movements/ UR - http://dais.sanu.ac.rs/123456789/5232 AB - This paper deals with the reception of European avant-garde in the Serbian/Yugoslav context of the 20th century, scrutinized in the highly influential study by Serbian musicologist Mirjana Veselinović-Hofman, “Creative Presence of European Avant-Garde with Us” [Stvaralačka prisutnost evropske avangarde u nas] (1983). While dealing with the musical reception of the avant-garde between the wars and during the sixties and the seventies, Veselinović-Hofman creates a musicological narrative through which we can observe several problematic knots regarding the model of center and periphery. C3 - YMM: The East, the West, the In-Between T1 - Avant-Garde Echoes in the Neither/Nor State. A Musicologist’s View on the Dissemination of Avant-Garde Movements ER -
@conference{ author = "Radovanović, Bojana", year = "2018", url = "https://ymmeastwest.wordpress.com/2018/11/04/avant-garde-echoes-in-the-neither-nor-state-a-musicologists-view-on-the-dissemination-of-avant-garde-movements/, http://dais.sanu.ac.rs/123456789/5232", abstract = "This paper deals with the reception of European avant-garde in the Serbian/Yugoslav context of the 20th century, scrutinized in the highly influential study by Serbian musicologist Mirjana Veselinović-Hofman, “Creative Presence of European Avant-Garde with Us” [Stvaralačka prisutnost evropske avangarde u nas] (1983). While dealing with the musical reception of the avant-garde between the wars and during the sixties and the seventies, Veselinović-Hofman creates a musicological narrative through which we can observe several problematic knots regarding the model of center and periphery.", journal = "YMM: The East, the West, the In-Between", title = "Avant-Garde Echoes in the Neither/Nor State. A Musicologist’s View on the Dissemination of Avant-Garde Movements" }
Radovanović B. Avant-Garde Echoes in the Neither/Nor State. A Musicologist’s View on the Dissemination of Avant-Garde Movements. YMM: The East, the West, the In-Between. 2018;
,& Radovanović, B. (2018). Avant-Garde Echoes in the Neither/Nor State. A Musicologist’s View on the Dissemination of Avant-Garde Movements. YMM: The East, the West, the In-Between, null.
Radovanović Bojana, "Avant-Garde Echoes in the Neither/Nor State. A Musicologist’s View on the Dissemination of Avant-Garde Movements" null (2018)