In his doctoral dissertation (Vreme umetnosti, 1968), Dragutin Gostuški (1923–1998) presents the opinion that all the products of human action, together with all natural phenomena, can be brought down to the same analytical level and, consequently, to the same laws. In this paper, we will look into the mechanisms of Gostuški’s theory and holography as an interpretative technique that he proposes, and, in this light, the possibility and the nature of transpositions between music and the visual arts.
Keywords:
Dragutin Gostuški / screen theory / theory of screen / Vreme umetnosti
Source:
Transpositions: Music/Image / XIII International Conference of the Department of Musicology, Faculty of Music, University of Arts in Belgrade, 12-15 October 2016, Belgrade / Book of Abstracts, 2016, 70-71
Publisher:
Belgrade : Department of Musicology, Faculty of Music
TY - CONF
AU - Radovanović, Bojana
PY - 2016
UR - https://belgradeconference2016.files.wordpress.com/2016/10/transpositions-abstracts.pdf
UR - https://dais.sanu.ac.rs/123456789/5182
AB - In his doctoral dissertation (Vreme umetnosti, 1968), Dragutin Gostuški (1923–1998) presents the opinion that all the products of human action, together with all natural phenomena, can be brought down to the same analytical level and, consequently, to the same laws. In this paper, we will look into the mechanisms of Gostuški’s theory and holography as an interpretative technique that he proposes, and, in this light, the possibility and the nature of transpositions between music and the visual arts.
PB - Belgrade : Department of Musicology, Faculty of Music
C3 - Transpositions: Music/Image / XIII International Conference of the Department of Musicology, Faculty of Music, University of Arts in Belgrade, 12-15 October 2016, Belgrade / Book of Abstracts
T1 - Communication and analogies between music and image: Dragutin Gostuški's theory of screen
SP - 70
EP - 71
UR - https://hdl.handle.net/21.15107/rcub_dais_5182
ER -
@conference{
author = "Radovanović, Bojana",
year = "2016",
abstract = "In his doctoral dissertation (Vreme umetnosti, 1968), Dragutin Gostuški (1923–1998) presents the opinion that all the products of human action, together with all natural phenomena, can be brought down to the same analytical level and, consequently, to the same laws. In this paper, we will look into the mechanisms of Gostuški’s theory and holography as an interpretative technique that he proposes, and, in this light, the possibility and the nature of transpositions between music and the visual arts.",
publisher = "Belgrade : Department of Musicology, Faculty of Music",
journal = "Transpositions: Music/Image / XIII International Conference of the Department of Musicology, Faculty of Music, University of Arts in Belgrade, 12-15 October 2016, Belgrade / Book of Abstracts",
title = "Communication and analogies between music and image: Dragutin Gostuški's theory of screen",
pages = "70-71",
url = "https://hdl.handle.net/21.15107/rcub_dais_5182"
}
Radovanović, B.. (2016). Communication and analogies between music and image: Dragutin Gostuški's theory of screen. in Transpositions: Music/Image / XIII International Conference of the Department of Musicology, Faculty of Music, University of Arts in Belgrade, 12-15 October 2016, Belgrade / Book of Abstracts
Belgrade : Department of Musicology, Faculty of Music., 70-71.
https://hdl.handle.net/21.15107/rcub_dais_5182
Radovanović B. Communication and analogies between music and image: Dragutin Gostuški's theory of screen. in Transpositions: Music/Image / XIII International Conference of the Department of Musicology, Faculty of Music, University of Arts in Belgrade, 12-15 October 2016, Belgrade / Book of Abstracts. 2016;:70-71.
https://hdl.handle.net/21.15107/rcub_dais_5182 .
Radovanović, Bojana, "Communication and analogies between music and image: Dragutin Gostuški's theory of screen" in Transpositions: Music/Image / XIII International Conference of the Department of Musicology, Faculty of Music, University of Arts in Belgrade, 12-15 October 2016, Belgrade / Book of Abstracts (2016):70-71,
https://hdl.handle.net/21.15107/rcub_dais_5182 .
