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dc.creatorMaglov, Marija
dc.date.accessioned2019-03-14T13:13:26Z
dc.date.available2019-03-14T13:13:26Z
dc.date.issued2013
dc.identifier.issn0354-818X (Print)
dc.identifier.issn1821-3782 (Online)
dc.identifier.urihttps://dais.sanu.ac.rs/123456789/5065
dc.description.abstractThis paper is aimed at drawing attention to the problem of the media representation of artistic music, through the case study of the television broadcast of the New Year’s Concert in Vienna. The text contains a brief historic summary of the concert and its broadcast within the European television network, Eurovision. Using this year’s broadcast (2013) as an example, certain aspects are marked that potentially represent a starting point for further interpretations of the New Year’s Concert and, generally, the relationship between artistic music and media.en
dc.language.isoensr
dc.publisherBelgrade : Department of Musicology, Faculty of Musicsr
dc.rightsopenAccesssr
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.sourceNew Sound International Journal of Musicsr
dc.subjectNew Year's Concert in Viennasr
dc.subjectEurovisionsr
dc.subjectpublic broadcastingsr
dc.subjectmedia representationsr
dc.subjectclasssr
dc.subjectmediasr
dc.titleThe Vienna New Year's Concert as a Media Phenomenonen
dc.typearticlesr
dc.rights.licenseBY-NC-NDsr
dcterms.abstractМаглов, Марија;
dc.citation.spage139
dc.citation.epage149
dc.citation.issue41
dc.description.otherThis paper was written under the mentorship of Professor Vesna Mikić, PhD, within the course Theory and Practice of Media in Musicology, academic year 2012/13, study programme Musicology-Master, at the Department of Musicology at the Faculty of Music in Belgrade.en
dc.identifier.cobiss102800647
dc.type.versionpublishedVersionsr
dc.identifier.fulltexthttps://dais.sanu.ac.rs/bitstream/id/15992/New_Sound_41.pdf
dc.identifier.rcubhttps://hdl.handle.net/21.15107/rcub_dais_5065


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