This paper is aimed at drawing attention to the problem of the media representation
of artistic music, through the case study of the television broadcast of the New
Year’s Concert in Vienna. The text contains a brief historic summary of the concert and
its broadcast within the European television network, Eurovision. Using this year’s broadcast
(2013) as an example, certain aspects are marked that potentially represent a starting
point for further interpretations of the New Year’s Concert and, generally, the relationship
between artistic music and media.
Keywords:
New Year's Concert in Vienna / Eurovision / public broadcasting / media representation / class / media
Source:
New Sound International Journal of Music, 2013, 41, 139-149
Publisher:
Belgrade : Department of Musicology, Faculty of Music
Note:
This paper was written under the mentorship of Professor Vesna Mikić, PhD, within the
course Theory and Practice of Media in Musicology, academic year 2012/13, study programme
Musicology-Master, at the Department of Musicology at the Faculty of Music in
Belgrade.
TY - JOUR
AU - Maglov, Marija
PY - 2013
UR - https://dais.sanu.ac.rs/123456789/5065
AB - This paper is aimed at drawing attention to the problem of the media representation
of artistic music, through the case study of the television broadcast of the New
Year’s Concert in Vienna. The text contains a brief historic summary of the concert and
its broadcast within the European television network, Eurovision. Using this year’s broadcast
(2013) as an example, certain aspects are marked that potentially represent a starting
point for further interpretations of the New Year’s Concert and, generally, the relationship
between artistic music and media.
PB - Belgrade : Department of Musicology, Faculty of Music
T2 - New Sound International Journal of Music
T1 - The Vienna New Year's Concert as a Media Phenomenon
SP - 139
EP - 149
IS - 41
UR - https://hdl.handle.net/21.15107/rcub_dais_5065
ER -
@article{
author = "Maglov, Marija",
year = "2013",
abstract = "This paper is aimed at drawing attention to the problem of the media representation
of artistic music, through the case study of the television broadcast of the New
Year’s Concert in Vienna. The text contains a brief historic summary of the concert and
its broadcast within the European television network, Eurovision. Using this year’s broadcast
(2013) as an example, certain aspects are marked that potentially represent a starting
point for further interpretations of the New Year’s Concert and, generally, the relationship
between artistic music and media.",
publisher = "Belgrade : Department of Musicology, Faculty of Music",
journal = "New Sound International Journal of Music",
title = "The Vienna New Year's Concert as a Media Phenomenon",
pages = "139-149",
number = "41",
url = "https://hdl.handle.net/21.15107/rcub_dais_5065"
}
Maglov, M.. (2013). The Vienna New Year's Concert as a Media Phenomenon. in New Sound International Journal of Music
Belgrade : Department of Musicology, Faculty of Music.(41), 139-149.
https://hdl.handle.net/21.15107/rcub_dais_5065
Maglov M. The Vienna New Year's Concert as a Media Phenomenon. in New Sound International Journal of Music. 2013;(41):139-149.
https://hdl.handle.net/21.15107/rcub_dais_5065 .
Maglov, Marija, "The Vienna New Year's Concert as a Media Phenomenon" in New Sound International Journal of Music, no. 41 (2013):139-149,
https://hdl.handle.net/21.15107/rcub_dais_5065 .
