Приказ основних података о документу

dc.creatorTomić Đurić, Marka D.
dc.date.accessioned2019-02-13T21:49:05Z
dc.date.available2019-02-13T21:49:05Z
dc.date.issued2012
dc.identifier.issn0584-9888
dc.identifier.urihttps://dais.sanu.ac.rs/123456789/4876
dc.description.abstractThe frescoes of the Man of Sorrows and the lamenting Virgin in the church of Saint Demetrios at Markov Manastir (1376/77) are depicted in the western part of the naos, which is a departure from their usual location in the sanctuary. The paper, therefore, looks at the location of these frescoes in the context of the entire fresco program at Markov Manastir. What is distinct is a conceptual link between the frescoes in the sanctuary and the depiction of the Dead Christ and the Virgin on the western wall. The relationship between the Incarnation and the death of Christ is considered from a theological and liturgical standpoint. Related examples of icons whose iconographic and thematic solutions share the same conceptual tenets are also analyzed, as well as the influence of the texts read during the Passion Service on the placement of the frescoes of the Dead Christ and the Virgin. [Projekat Ministarstva nauke Republike Srbije, br. 177003: Medieval Heritage of the Balkans: Institutions and the Culture]en
dc.relationinfo:eu-repo/grantAgreement/MESTD/Basic Research (BR or ON)/177003/RS//
dc.rightsopenAccess
dc.rightsopenAccess
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.sourceZbornik radova Vizantoloskog institutaen
dc.titleThe man of sorrows and the lamenting virgin: The example at Markov Manastiren
dc.typearticleen
dc.rights.licenseBY-NC-ND
dcterms.abstractТомић-Ђурић, Марка;
dc.citation.spage303
dc.citation.epage331
dc.citation.issue49
dc.identifier.doi10.2298/ZRVI1249303T
dc.type.versionpublishedVersion
dc.identifier.fulltexthttps://dais.sanu.ac.rs/bitstream/id/15262/0584-98881249303T.pdf
dc.identifier.rcubhttps://hdl.handle.net/21.15107/rcub_dais_4876


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Приказ основних података о документу