DAIS - Digital Archive of the Serbian Academy of Sciences and Arts
    • English
    • Српски
    • Српски (Serbia)
  • English 
    • English
    • Serbian (Cyrilic)
    • Serbian (Latin)
  • Login
View Item 
  •   DAIS
  • Балканолошки институт САНУ / Institute for Balkan Studies SASA
  • BI SANU - Opšta kolekcija / General collection
  • View Item
  •   DAIS
  • Балканолошки институт САНУ / Institute for Balkan Studies SASA
  • BI SANU - Opšta kolekcija / General collection
  • View Item
JavaScript is disabled for your browser. Some features of this site may not work without it.

The man of sorrows and the lamenting virgin: The example at Markov Manastir

Thumbnail
2012
0584-98881249303T.pdf (1.231Mb)
Authors
Tomić Đurić, Marka D.
Article (Published version)
Metadata
Show full item record
Abstract
The frescoes of the Man of Sorrows and the lamenting Virgin in the church of Saint Demetrios at Markov Manastir (1376/77) are depicted in the western part of the naos, which is a departure from their usual location in the sanctuary. The paper, therefore, looks at the location of these frescoes in the context of the entire fresco program at Markov Manastir. What is distinct is a conceptual link between the frescoes in the sanctuary and the depiction of the Dead Christ and the Virgin on the western wall. The relationship between the Incarnation and the death of Christ is considered from a theological and liturgical standpoint. Related examples of icons whose iconographic and thematic solutions share the same conceptual tenets are also analyzed, as well as the influence of the texts read during the Passion Service on the placement of the frescoes of the Dead Christ and the Virgin. [Projekat Ministarstva nauke Republike Srbije, br. 177003: Medieval Heritage of the Balkans: Institutions and... the Culture]

Source:
Zbornik radova Vizantoloskog instituta, 2012, 49, 303-331
Projects:
  • Medieval Heritage in the Balkans: Institutions and Culture (RS-177003)

DOI: 10.2298/ZRVI1249303T

ISSN: 0584-9888

[ Google Scholar ]
URI
http://dais.sanu.ac.rs/123456789/4876
Collections
  • BI SANU - Opšta kolekcija / General collection
Institution
Балканолошки институт САНУ / Institute for Balkan Studies SASA
TY  - JOUR
AU  - Tomić Đurić, Marka D.
PY  - 2012
UR  - http://dais.sanu.ac.rs/123456789/4876
AB  - The frescoes of the Man of Sorrows and the lamenting Virgin in the church of Saint Demetrios at Markov Manastir (1376/77) are depicted in the western part of the naos, which is a departure from their usual location in the sanctuary. The paper, therefore, looks at the location of these frescoes in the context of the entire fresco program at Markov Manastir. What is distinct is a conceptual link between the frescoes in the sanctuary and the depiction of the Dead Christ and the Virgin on the western wall. The relationship between the Incarnation and the death of Christ is considered from a theological and liturgical standpoint. Related examples of icons whose iconographic and thematic solutions share the same conceptual tenets are also analyzed, as well as the influence of the texts read during the Passion Service on the placement of the frescoes of the Dead Christ and the Virgin. [Projekat Ministarstva nauke Republike Srbije, br. 177003: Medieval Heritage of the Balkans: Institutions and the Culture]
T2  - Zbornik radova Vizantoloskog instituta
T1  - The man of sorrows and the lamenting virgin: The example at Markov Manastir
SP  - 303
EP  - 331
IS  - 49
DO  - 10.2298/ZRVI1249303T
ER  - 
@article{
author = "Tomić Đurić, Marka D.",
year = "2012",
url = "http://dais.sanu.ac.rs/123456789/4876",
abstract = "The frescoes of the Man of Sorrows and the lamenting Virgin in the church of Saint Demetrios at Markov Manastir (1376/77) are depicted in the western part of the naos, which is a departure from their usual location in the sanctuary. The paper, therefore, looks at the location of these frescoes in the context of the entire fresco program at Markov Manastir. What is distinct is a conceptual link between the frescoes in the sanctuary and the depiction of the Dead Christ and the Virgin on the western wall. The relationship between the Incarnation and the death of Christ is considered from a theological and liturgical standpoint. Related examples of icons whose iconographic and thematic solutions share the same conceptual tenets are also analyzed, as well as the influence of the texts read during the Passion Service on the placement of the frescoes of the Dead Christ and the Virgin. [Projekat Ministarstva nauke Republike Srbije, br. 177003: Medieval Heritage of the Balkans: Institutions and the Culture]",
journal = "Zbornik radova Vizantoloskog instituta",
title = "The man of sorrows and the lamenting virgin: The example at Markov Manastir",
pages = "303-331",
number = "49",
doi = "10.2298/ZRVI1249303T"
}
Tomić Đurić MD. The man of sorrows and the lamenting virgin: The example at Markov Manastir. Zbornik radova Vizantoloskog instituta. 2012;(49):303-331
,& Tomić Đurić, M. D. (2012). The man of sorrows and the lamenting virgin: The example at Markov Manastir.
Zbornik radova Vizantoloskog instituta, null(49), 303-331. 
https://doi.org/10.2298/ZRVI1249303T
Tomić Đurić Marka D., "The man of sorrows and the lamenting virgin: The example at Markov Manastir" null, no. 49 (2012):303-331,
https://doi.org/10.2298/ZRVI1249303T .

DSpace software copyright © 2002-2015  DuraSpace
About DAIS - Digital Archive of the Serbian Academy of Sciences and Arts | Send Feedback

re3dataOpenAIRERCUB
 

 

All of DSpaceInstitutionsAuthorsTitlesSubjectsThis institutionAuthorsTitlesSubjects

Statistics

View Usage Statistics

DSpace software copyright © 2002-2015  DuraSpace
About DAIS - Digital Archive of the Serbian Academy of Sciences and Arts | Send Feedback

re3dataOpenAIRERCUB