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dc.creatorDumnić, Marija
dc.date.accessioned2019-01-18T13:59:42Z
dc.date.available2019-01-18T13:59:42Z
dc.date.issued2014
dc.identifier.issn0354-818X (print)
dc.identifier.issn1821-3782 (online)
dc.identifier.urihttp://newsound.org.rs/en/pdfs/ns42/Dumnic42.pdf
dc.identifier.urihttp://dais.sanu.ac.rs/123456789/4803
dc.description.abstractJulie Dunbar, the author of a recent publication about musicology and gender studies, is a lecturer and an orchestra conductor at Edgewood College in Madison, Wisconsin. Her textbook, presently taken under consideration, is aimed at students, primarily those interested in the position and role of woman in the history of Western music, popular music, and various folklore musical cultures, i.e. in the general aspects of music creation, performance, listening and education. The title subject is increasingly topical in contemporary (ethno)musicological works, and so is this review motivated by monitoring topical issues in the discipline...sr
dc.language.isoensr
dc.publisherBelgrade : Faculty of Musicsr
dc.relationinfo:eu-repo/grantAgreement/MESTD/Basic Research (BR or ON)/177004/RS//
dc.rightsopenAccesssr
dc.sourceNew Sound 42sr
dc.subjectethnomusicologysr
dc.subjecteducationsr
dc.subjectperformancesr
dc.titleJulie C. Dunbar, Women, Music, Culture: An Introduction, Routledge, New York – London, 2011, pp. XIX+379sr
dc.typearticlesr
dc.rights.licenseARRsr
dcterms.abstractДумнић, Марија;
dc.citation.volume200–204
dc.description.otherThe paper was written as a part of the project “Identiteti srpske muzike od lokalnih do globalnih okvira: tradicije, promene, izazovi” [“Serbian Musical Identities within Local and Global Frameworks: Traditions, Changes, Challenges”] (ON 177004), funded by the Ministry of Education, Science and Techno- logical Development of the Republic of Serbia.sr
dc.type.versionpublishedVersionsr
dc.identifier.fulltexthttp://dais.sanu.ac.rs/bitstream/id/14986/Dunbar_Julie_C_Women_Music_Culture_An_In.pdf


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