This paper seeks to present time as one of the most important parameters in epic songs, shown in the example of temporal formulas. Time also represents the principle of organizing section sequences in the song (linear, successive and chronological, or discontinuous and retrospective). The paper further examines the temporal formulas in a broad and a narrow sense, with regard to whether the temporal markers refer to the narrative shifts in the development of the story, or to some archaic meanings related to expressions which mark the determinants of real time (year and its parts, days of the week, time of the day, etc.).
Keywords:
formula / time / epic song / narration / time of day / days of the weak / parts of the year
Source:
Balcanica, 2013, XLIV, 159-180
Publisher:
Belgrade : Institute for Balkan Studies, Serbian Academy of Sciences and Arts
TY - JOUR
AU - Perić, Dragoljub Ž.
PY - 2013
UR - https://dais.sanu.ac.rs/123456789/4361
AB - This paper seeks to present time as one of the most important parameters in epic songs, shown in the example of temporal formulas. Time also represents the principle of organizing section sequences in the song (linear, successive and chronological, or discontinuous and retrospective). The paper further examines the temporal formulas in a broad and a narrow sense, with regard to whether the temporal markers refer to the narrative shifts in the development of the story, or to some archaic meanings related to expressions which mark the determinants of real time (year and its parts, days of the week, time of the day, etc.).
PB - Belgrade : Institute for Balkan Studies, Serbian Academy of Sciences and Arts
T2 - Balcanica
T1 - Temporal Formulas in Serbian Oral Epic Songs
SP - 159
EP - 180
IS - XLIV
DO - 10.2298/BALC1344159P
UR - https://hdl.handle.net/21.15107/rcub_dais_4361
ER -
@article{
author = "Perić, Dragoljub Ž.",
year = "2013",
abstract = "This paper seeks to present time as one of the most important parameters in epic songs, shown in the example of temporal formulas. Time also represents the principle of organizing section sequences in the song (linear, successive and chronological, or discontinuous and retrospective). The paper further examines the temporal formulas in a broad and a narrow sense, with regard to whether the temporal markers refer to the narrative shifts in the development of the story, or to some archaic meanings related to expressions which mark the determinants of real time (year and its parts, days of the week, time of the day, etc.).",
publisher = "Belgrade : Institute for Balkan Studies, Serbian Academy of Sciences and Arts",
journal = "Balcanica",
title = "Temporal Formulas in Serbian Oral Epic Songs",
pages = "159-180",
number = "XLIV",
doi = "10.2298/BALC1344159P",
url = "https://hdl.handle.net/21.15107/rcub_dais_4361"
}
Perić, D. Ž.. (2013). Temporal Formulas in Serbian Oral Epic Songs. in Balcanica
Belgrade : Institute for Balkan Studies, Serbian Academy of Sciences and Arts.(XLIV), 159-180.
https://doi.org/10.2298/BALC1344159P
https://hdl.handle.net/21.15107/rcub_dais_4361
Perić DŽ. Temporal Formulas in Serbian Oral Epic Songs. in Balcanica. 2013;(XLIV):159-180.
doi:10.2298/BALC1344159P
https://hdl.handle.net/21.15107/rcub_dais_4361 .
Perić, Dragoljub Ž., "Temporal Formulas in Serbian Oral Epic Songs" in Balcanica, no. XLIV (2013):159-180,
https://doi.org/10.2298/BALC1344159P .,
https://hdl.handle.net/21.15107/rcub_dais_4361 .
