Certain types of introductory formulas typical of klephtic epic songs are synoptically demonstrated and analyzed. The introduction outlines the historical development of this category of folk songs, based on occasionally opposing views of literary historians and scholars concerned with the study of Greek folklore. The analysis, performed on a selected corpus of Greek klephtic epic songs, reveals basic structural principles that the anonymous folk singer abided by whilst composing these songs.
Keywords:
formula / klephtic folk song / model / structure / Greek revolution introductory remarks
Source:
Balcanica, 2013, XLIV, 93-111
Publisher:
Belgrade : Institute for Balkan Studies, Serbian Academy of Sciences and Arts
TY - JOUR
AU - Mutavdžić, Predrag J.
AU - Đorđević, Saša B.
PY - 2013
UR - https://dais.sanu.ac.rs/123456789/4358
AB - Certain types of introductory formulas typical of klephtic epic songs are synoptically demonstrated and analyzed. The introduction outlines the historical development of this category of folk songs, based on occasionally opposing views of literary historians and scholars concerned with the study of Greek folklore. The analysis, performed on a selected corpus of Greek klephtic epic songs, reveals basic structural principles that the anonymous folk singer abided by whilst composing these songs.
PB - Belgrade : Institute for Balkan Studies, Serbian Academy of Sciences and Arts
T2 - Balcanica
T1 - Some Types of Introductory Formulas in Greek Klephtic (Heroic) Epic
SP - 93
EP - 111
IS - XLIV
DO - 10.2298/BALC1344093M
UR - https://hdl.handle.net/21.15107/rcub_dais_4358
ER -
@article{
author = "Mutavdžić, Predrag J. and Đorđević, Saša B.",
year = "2013",
abstract = "Certain types of introductory formulas typical of klephtic epic songs are synoptically demonstrated and analyzed. The introduction outlines the historical development of this category of folk songs, based on occasionally opposing views of literary historians and scholars concerned with the study of Greek folklore. The analysis, performed on a selected corpus of Greek klephtic epic songs, reveals basic structural principles that the anonymous folk singer abided by whilst composing these songs.",
publisher = "Belgrade : Institute for Balkan Studies, Serbian Academy of Sciences and Arts",
journal = "Balcanica",
title = "Some Types of Introductory Formulas in Greek Klephtic (Heroic) Epic",
pages = "93-111",
number = "XLIV",
doi = "10.2298/BALC1344093M",
url = "https://hdl.handle.net/21.15107/rcub_dais_4358"
}
Mutavdžić, P. J.,& Đorđević, S. B.. (2013). Some Types of Introductory Formulas in Greek Klephtic (Heroic) Epic. in Balcanica
Belgrade : Institute for Balkan Studies, Serbian Academy of Sciences and Arts.(XLIV), 93-111.
https://doi.org/10.2298/BALC1344093M
https://hdl.handle.net/21.15107/rcub_dais_4358
Mutavdžić PJ, Đorđević SB. Some Types of Introductory Formulas in Greek Klephtic (Heroic) Epic. in Balcanica. 2013;(XLIV):93-111.
doi:10.2298/BALC1344093M
https://hdl.handle.net/21.15107/rcub_dais_4358 .
Mutavdžić, Predrag J., Đorđević, Saša B., "Some Types of Introductory Formulas in Greek Klephtic (Heroic) Epic" in Balcanica, no. XLIV (2013):93-111,
https://doi.org/10.2298/BALC1344093M .,
https://hdl.handle.net/21.15107/rcub_dais_4358 .
