The engraving of the Finding of Moses from Caspar Luyken's Amsterdam (1694) and Nuremberg (1708) bibles served as a model for Teodor Kračun's painting for the small iconostasis of the Orthodox cathedral in Sremski Karlovci (1780), for the Viennese printer J. G. Mansfeld's frontispiece of Dositej Obradović's Poem of the Deliverance of Serbia (1789) and for Dimitar Zograf 's fresco in the vault of the exonarthex of the Rila Monastery (1843). Three different versions of the original copper engraving reveal how Luyken's Bible was used in support of the cause of religious revival and national liberation of the Serbs and Bulgarians in the Habsburg and Ottoman empires respectively in the late eighteen century and the first half of the nineteenth.
TY - JOUR
AU - Stošić, Ljiljana
PY - 2011
UR - https://dais.sanu.ac.rs/123456789/4323
AB - The engraving of the Finding of Moses from Caspar Luyken's Amsterdam (1694) and Nuremberg (1708) bibles served as a model for Teodor Kračun's painting for the small iconostasis of the Orthodox cathedral in Sremski Karlovci (1780), for the Viennese printer J. G. Mansfeld's frontispiece of Dositej Obradović's Poem of the Deliverance of Serbia (1789) and for Dimitar Zograf 's fresco in the vault of the exonarthex of the Rila Monastery (1843). Three different versions of the original copper engraving reveal how Luyken's Bible was used in support of the cause of religious revival and national liberation of the Serbs and Bulgarians in the Habsburg and Ottoman empires respectively in the late eighteen century and the first half of the nineteenth.
PB - Belgrade : Institute for Balkan Studies, Serbian Academy of Sciences and Arts
T2 - Balcanica
T1 - Caspar Luyken's Illustrated Bible among the Serbs and Bulgarians in the Eighteenth and Nineteenth Centuries
SP - 37
EP - 48
IS - XLII
DO - 10.2298/BALC1142037S
UR - https://hdl.handle.net/21.15107/rcub_dais_4323
ER -
@article{
author = "Stošić, Ljiljana",
year = "2011",
abstract = "The engraving of the Finding of Moses from Caspar Luyken's Amsterdam (1694) and Nuremberg (1708) bibles served as a model for Teodor Kračun's painting for the small iconostasis of the Orthodox cathedral in Sremski Karlovci (1780), for the Viennese printer J. G. Mansfeld's frontispiece of Dositej Obradović's Poem of the Deliverance of Serbia (1789) and for Dimitar Zograf 's fresco in the vault of the exonarthex of the Rila Monastery (1843). Three different versions of the original copper engraving reveal how Luyken's Bible was used in support of the cause of religious revival and national liberation of the Serbs and Bulgarians in the Habsburg and Ottoman empires respectively in the late eighteen century and the first half of the nineteenth.",
publisher = "Belgrade : Institute for Balkan Studies, Serbian Academy of Sciences and Arts",
journal = "Balcanica",
title = "Caspar Luyken's Illustrated Bible among the Serbs and Bulgarians in the Eighteenth and Nineteenth Centuries",
pages = "37-48",
number = "XLII",
doi = "10.2298/BALC1142037S",
url = "https://hdl.handle.net/21.15107/rcub_dais_4323"
}
Stošić, L.. (2011). Caspar Luyken's Illustrated Bible among the Serbs and Bulgarians in the Eighteenth and Nineteenth Centuries. in Balcanica
Belgrade : Institute for Balkan Studies, Serbian Academy of Sciences and Arts.(XLII), 37-48.
https://doi.org/10.2298/BALC1142037S
https://hdl.handle.net/21.15107/rcub_dais_4323
Stošić L. Caspar Luyken's Illustrated Bible among the Serbs and Bulgarians in the Eighteenth and Nineteenth Centuries. in Balcanica. 2011;(XLII):37-48.
doi:10.2298/BALC1142037S
https://hdl.handle.net/21.15107/rcub_dais_4323 .
Stošić, Ljiljana, "Caspar Luyken's Illustrated Bible among the Serbs and Bulgarians in the Eighteenth and Nineteenth Centuries" in Balcanica, no. XLII (2011):37-48,
https://doi.org/10.2298/BALC1142037S .,
https://hdl.handle.net/21.15107/rcub_dais_4323 .
