Looking at the Master Narrative: A Possible Interpretation Strategy
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While re-thinking (or, from the perspective of our time, looking at) Modernism, and
the concept of modernity, one must have in mind all the contradictions implied by the term.
To paraphrase Susan Stanford Friedman, Modernism is (or was) both the culture of rebellion
and ‘high’, elitist culture, both negation of tradition and a so-called master narrative. Modernism means different things to different people, but the problem is that, as Stanford Friedman
points out, its definitions are not just different, but stand as opposites. Bearing that in mind,
the main point of this paper is to try to define/explain/understand what the mentioned master
narrative (in the Modernist practices of fine arts) is and how it was created. Is our re-thinking,
or looking from a temporal distance, just a mere observation, or, is it inevitable to notice all the
different narratives connected to different practices similarly to Jacques Derrida’s différence?
In other words, were there that many narrativ...es, would there even be a master one?
Ključne reči:
Modernism / narrative / fine arts / 20th century / Virginia Woolf / Arnold Schönberg / Vasily KandinskyIzvor:
AM Journal of Art and Media Studies, 2018, 16, 1-10Izdavač:
- Belgrade : Faculty of Media and Communications, SIngidunum University
Finansiranje / projekti:
- Identiteti srpske muzike od lokalnih do globalnih okvira: tradicije, promene, izazovi (RS-MESTD-Basic Research (BR or ON)-177004)
DOI: 10.25038/am.v0i16.249
Cobiss ID: 192045324
ISSN: 2217-9666 (print); 2406-1654 (online)
WoS: 000461415000001
[ Google Scholar ]URI
https://fmkjournals.fmk.edu.rs/index.php/AM/article/view/249/pdfhttps://dais.sanu.ac.rs/123456789/4094
Institucija/grupa
Музиколошки институт САНУ / Institute of Musicology SASATY - JOUR AU - Bralović, Miloš PY - 2018 UR - https://fmkjournals.fmk.edu.rs/index.php/AM/article/view/249/pdf UR - https://dais.sanu.ac.rs/123456789/4094 AB - While re-thinking (or, from the perspective of our time, looking at) Modernism, and the concept of modernity, one must have in mind all the contradictions implied by the term. To paraphrase Susan Stanford Friedman, Modernism is (or was) both the culture of rebellion and ‘high’, elitist culture, both negation of tradition and a so-called master narrative. Modernism means different things to different people, but the problem is that, as Stanford Friedman points out, its definitions are not just different, but stand as opposites. Bearing that in mind, the main point of this paper is to try to define/explain/understand what the mentioned master narrative (in the Modernist practices of fine arts) is and how it was created. Is our re-thinking, or looking from a temporal distance, just a mere observation, or, is it inevitable to notice all the different narratives connected to different practices similarly to Jacques Derrida’s différence? In other words, were there that many narratives, would there even be a master one? PB - Belgrade : Faculty of Media and Communications, SIngidunum University T2 - AM Journal of Art and Media Studies T1 - Looking at the Master Narrative: A Possible Interpretation Strategy SP - 1 EP - 10 IS - 16 DO - 10.25038/am.v0i16.249 UR - https://hdl.handle.net/21.15107/rcub_dais_4094 ER -
@article{ author = "Bralović, Miloš", year = "2018", abstract = "While re-thinking (or, from the perspective of our time, looking at) Modernism, and the concept of modernity, one must have in mind all the contradictions implied by the term. To paraphrase Susan Stanford Friedman, Modernism is (or was) both the culture of rebellion and ‘high’, elitist culture, both negation of tradition and a so-called master narrative. Modernism means different things to different people, but the problem is that, as Stanford Friedman points out, its definitions are not just different, but stand as opposites. Bearing that in mind, the main point of this paper is to try to define/explain/understand what the mentioned master narrative (in the Modernist practices of fine arts) is and how it was created. Is our re-thinking, or looking from a temporal distance, just a mere observation, or, is it inevitable to notice all the different narratives connected to different practices similarly to Jacques Derrida’s différence? In other words, were there that many narratives, would there even be a master one?", publisher = "Belgrade : Faculty of Media and Communications, SIngidunum University", journal = "AM Journal of Art and Media Studies", title = "Looking at the Master Narrative: A Possible Interpretation Strategy", pages = "1-10", number = "16", doi = "10.25038/am.v0i16.249", url = "https://hdl.handle.net/21.15107/rcub_dais_4094" }
Bralović, M.. (2018). Looking at the Master Narrative: A Possible Interpretation Strategy. in AM Journal of Art and Media Studies Belgrade : Faculty of Media and Communications, SIngidunum University.(16), 1-10. https://doi.org/10.25038/am.v0i16.249 https://hdl.handle.net/21.15107/rcub_dais_4094
Bralović M. Looking at the Master Narrative: A Possible Interpretation Strategy. in AM Journal of Art and Media Studies. 2018;(16):1-10. doi:10.25038/am.v0i16.249 https://hdl.handle.net/21.15107/rcub_dais_4094 .
Bralović, Miloš, "Looking at the Master Narrative: A Possible Interpretation Strategy" in AM Journal of Art and Media Studies, no. 16 (2018):1-10, https://doi.org/10.25038/am.v0i16.249 ., https://hdl.handle.net/21.15107/rcub_dais_4094 .