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Looking at the Master Narrative: A Possible Interpretation Strategy

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2018
Bralovic_AM_Modernism.pdf (134.2Kb)
Authors
Bralović, Miloš
Contributors
Šuvaković, Miško
Dedić, Nikola
Nikolić, Sanela
Article (Published version)
Metadata
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Abstract
While re-thinking (or, from the perspective of our time, looking at) Modernism, and the concept of modernity, one must have in mind all the contradictions implied by the term. To paraphrase Susan Stanford Friedman, Modernism is (or was) both the culture of rebellion and ‘high’, elitist culture, both negation of tradition and a so-called master narrative. Modernism means different things to different people, but the problem is that, as Stanford Friedman points out, its definitions are not just different, but stand as opposites. Bearing that in mind, the main point of this paper is to try to define/explain/understand what the mentioned master narrative (in the Modernist practices of fine arts) is and how it was created. Is our re-thinking, or looking from a temporal distance, just a mere observation, or, is it inevitable to notice all the different narratives connected to different practices similarly to Jacques Derrida’s différence? In other words, were there that many narrativ...es, would there even be a master one?

Keywords:
Modernism / narrative / fine arts / 20th century / Virginia Woolf / Arnold Schönberg / Vasily Kandinsky
Source:
AM Journal of Art and Media Studies, 2018, 16, 1-10
Publisher:
  • Belgrade : Faculty of Media and Communications, SIngidunum University
Funding / projects:
  • Serbian musical identities within local and global frameworks: traditions, changes, challenges (RS-177004)

DOI: 10.25038/am.v0i16.249

Cobiss ID: 192045324

ISSN: 2217-9666 (print); 2406-1654 (online)

WoS: 000461415000001

[ Google Scholar ]
1
Handle
https://hdl.handle.net/21.15107/rcub_dais_4094
URI
https://fmkjournals.fmk.edu.rs/index.php/AM/article/view/249/pdf
https://dais.sanu.ac.rs/123456789/4094
Collections
  • МИ САНУ - Радови истраживача / MI SASA - Researchers' publications
Institution/Community
Музиколошки институт САНУ / Institute of Musicology SASA
TY  - JOUR
AU  - Bralović, Miloš
PY  - 2018
UR  - https://fmkjournals.fmk.edu.rs/index.php/AM/article/view/249/pdf
UR  - https://dais.sanu.ac.rs/123456789/4094
AB  - While re-thinking (or, from the perspective of our time, looking at) Modernism, and
the concept of modernity, one must have in mind all the contradictions implied by the term.
To paraphrase Susan Stanford Friedman, Modernism is (or was) both the culture of rebellion
and ‘high’, elitist culture, both negation of tradition and a so-called master narrative. Modernism means different things to different people, but the problem is that, as Stanford Friedman
points out, its definitions are not just different, but stand as opposites. Bearing that in mind,
the main point of this paper is to try to define/explain/understand what the mentioned master
narrative (in the Modernist practices of fine arts) is and how it was created. Is our re-thinking,
or looking from a temporal distance, just a mere observation, or, is it inevitable to notice all the
different narratives connected to different practices similarly to Jacques Derrida’s différence?
In other words, were there that many narratives, would there even be a master one?
PB  - Belgrade : Faculty of Media and Communications, SIngidunum University
T2  - AM Journal of Art and Media Studies
T1  - Looking at the Master Narrative: A Possible Interpretation Strategy
SP  - 1
EP  - 10
IS  - 16
DO  - 10.25038/am.v0i16.249
UR  - https://hdl.handle.net/21.15107/rcub_dais_4094
ER  - 
@article{
author = "Bralović, Miloš",
year = "2018",
abstract = "While re-thinking (or, from the perspective of our time, looking at) Modernism, and
the concept of modernity, one must have in mind all the contradictions implied by the term.
To paraphrase Susan Stanford Friedman, Modernism is (or was) both the culture of rebellion
and ‘high’, elitist culture, both negation of tradition and a so-called master narrative. Modernism means different things to different people, but the problem is that, as Stanford Friedman
points out, its definitions are not just different, but stand as opposites. Bearing that in mind,
the main point of this paper is to try to define/explain/understand what the mentioned master
narrative (in the Modernist practices of fine arts) is and how it was created. Is our re-thinking,
or looking from a temporal distance, just a mere observation, or, is it inevitable to notice all the
different narratives connected to different practices similarly to Jacques Derrida’s différence?
In other words, were there that many narratives, would there even be a master one?",
publisher = "Belgrade : Faculty of Media and Communications, SIngidunum University",
journal = "AM Journal of Art and Media Studies",
title = "Looking at the Master Narrative: A Possible Interpretation Strategy",
pages = "1-10",
number = "16",
doi = "10.25038/am.v0i16.249",
url = "https://hdl.handle.net/21.15107/rcub_dais_4094"
}
Bralović, M.. (2018). Looking at the Master Narrative: A Possible Interpretation Strategy. in AM Journal of Art and Media Studies
Belgrade : Faculty of Media and Communications, SIngidunum University.(16), 1-10.
https://doi.org/10.25038/am.v0i16.249
https://hdl.handle.net/21.15107/rcub_dais_4094
Bralović M. Looking at the Master Narrative: A Possible Interpretation Strategy. in AM Journal of Art and Media Studies. 2018;(16):1-10.
doi:10.25038/am.v0i16.249
https://hdl.handle.net/21.15107/rcub_dais_4094 .
Bralović, Miloš, "Looking at the Master Narrative: A Possible Interpretation Strategy" in AM Journal of Art and Media Studies, no. 16 (2018):1-10,
https://doi.org/10.25038/am.v0i16.249 .,
https://hdl.handle.net/21.15107/rcub_dais_4094 .

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