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After Zero Hour: States as “Custodians of Universal Human Culture,” or “Guardians of Advanced Art” / После нулте године: државе као „чувари универзалне културе човечанства” или „чувари напредне уметности”
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2017)
The emergence of radically new, avant-garde movements in German music and
throughout Western Europe after WW2 has often been seen as expressing a
strivings to create on a tabula rasa, in order to create distance from the ...
The Ideology of Moderated Modernism in Serbian Music and Musicology / Идеологија умереног модернизма у српској музици и музикологији
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2007)
The term ‘moderated modernism’ has been current for quite some
time in Serbian music historiography, but there have been only a few attempts
to define it. I shall try to define the term, introduce some of its key ...
Archives of the SASA Institute of Musicology: Collection of documents, autographs, copies, old editions of music printing and photographs / Arhiv Muzikološkog instituta SANU - kolekcija dokumenata, autografa, prepisa, starih notnih izdanja i fotografija
(Музикологија / Musicology, 2010)
Institute of Musicology of the Serbian Academy of Sciences and Arts in Belgrade possesses a comprehensive collection of manuscripts, copies and rare editions of Serbian music. The collection also contains textual documents, ...