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The reception of west European music in Belgrade between world wars: On the examples of 'Muzički glasnik' and 'Muzika' magazines / Recepcija zapadnoevropske muzike u međuratnom Beogradu - primer časopisa Muzički glasnik i Muzika
(Музикологија / Musicology, 2011)
The very first music magazines started in Belgrade between World Wars were 'Muzički glasnik' (issued monthly from January to December 1922) and 'Muzika' (also issued monthly in the period January 1928 - March 1929). These ...
Parenting the Piano: Miroslav Miša Savić's St. Lazarus Waltz
(Belgrade : Department of Musicology, Faculty of Music, 2017)
This article deals with a work by a contemporary Serbian composer Miroslav
Miša
Savić
(b.
1954):
St. Lazarus Waltz
for one or two grand pianos, with or without
children’s
toy
pianos.
Since
St.
Lazarus
is
...
Организација музичких параметара у Трећем гудачком квартету Јосипа Славенског
(Београд : Факултет музичке уметности, 2016)
Von der synoptischen zur analytischen neumatischen Notation Am Beispiel des Sticherons von Germanos Neon Patron / Od stenografske do analitičke neumske notacije na primeru Stihirara Germana, episkopa Nove Patre
(Музикологија / Musicology, 2007)
Die Abwesenheit eines einheitlichen Schlussels in der Dechiffrage der sogenannten 'alten' neumatischen Intonation (vor der letzten Reform anfangs des neunzehnten Jarhunderts) ist in erster Linie durch ihre Natur selbst ...
Ideology of the Opera Diva in the Case of the Opera of the National Theatre in Belgrade
(Beograd : Univerzitet Singidunum (Fakultet za medije i komunikacije)Belgrade : Faculty of Media and Communications, Singidunum University, 2016)
The theme of this work refers to the study of opera’s diva system or the way in
which an opera diva can affect (or not) the development of repertory theater. The idea is that
through a variety of approaches – musicology, ...
Project ‘Digitization and Catalogization of Phonoarchive of the Institute of Musicology SASA’: Experiences and Perspectives
(Belgrade : Faculty of Mathematics, 2010)
This paper discusses results of the project “Digitization and Cataloging of Phonoarchive of Institute of Musicology SASA”, and related to that, significance of collection for further ethnomusicological and musicological research.
Даворин Јенко и Стеван Ст. Мокрањац. Биографски фрагменти. Прилог култури сећања / Davorin Jenko and Stevan St. Mokranjac. Biographical Fragments. A Contribution to Cultural Rememberance
(Београд : Музиколошки институт Српске академије наука и уметности, 2014)
Рад је писан као прилог обележавању стогодишњице од смрти двојице значајних
композитора и диригената – Даворина Јенка (1835–1914) и Стевана Ст. Мокрањца (1856–1914). Конципиран у неколико фрагмената, рад преиспитује ...
Историјски аспекти и савремене праксе извођења староградске музике у Београду / Historical Aspects and Contemporary Performance Practices of “Old Urban Music” (starogradska muzika) in Belgrade
(Belgrade : Faculty of Music, 2017)
This review was written as part of the project Serbian Musical Identities within Local and Global Frameworks: Traditions, Changes, Challenges (ON 177004), funded by the Ministry of Education, Science, and Technological ...
The word and music of epic song: From syncretism to sung poetry / Reč i muzika epske pesme - od sinkretizma do pevane poezije
(Музикологија / Musicology, 2013)
This study concerns the relationship between verbal and musical components of Serbian epic songs with rhythm seen as a morphological dominant. My aim is to enrich the musicological inquiry of this issue and provide a ...
Audio collection in the SASA Institute of Musicology / Fono zbirka Muzikološkog instituta SANU
(Музикологија / Musicology, 2010)
The paper is relating to audio collection of the Institute of Musicology SASA as extremely important part of this institution's fund. The collection comprises of valuable sound materials, especially significant collections ...