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Creating New Representations of Yugoslav national Territory: Dragutin Gostuški's Symphonic Poem Belgrade
(Bielefeld : Transcript, 2015)
In the following I will discuss symphonic poem Beograd (»Belgrade«) composed by Serbian author Dragutin Gostuški in 1951, and afterwards used for аmusical »documentary television film« in 1969, in the context of the processes ...
Anri Lefevr
(Beograd : Orion Art, fakultet za medije i komunikacije, 2015)
Anri Lefevr (Henri Lefebvre, 1901 - 1991), francuski filozof i sociolog marksističke orijentacije, bio je izuzetno plodan i inventivan pisac, kao i jedan od pionira studija svakodnevnog života. Lefevr je, sa jedne strane, ...
Questions of Yugoslavian Symphonism and Its Institutions: The Case of Belgrade Open Competition of 1934–1935
(Leipzig : Gudrun Schröder Verlag, 2015)
Taking an open competition for new symphonic composition organized in Belgrade in 1934–1935 as the focus of my enquiry, I wish to investigate complex questions of institutional networks, critical discourse on music and ...
Recycled Music for Banal Nation: The Case of Serbia 1999– 2010
(Basingstoke : Palgrave Macmillan, 2015)
In this chapter I address the ways in which popular music genres have been recycled in the Serbian post-socialist political landscape. Specifically, I analyse how Western-styled music production was relocated, both spatially ...
Популаризација озбиљне музике на програмима Радио Београда и у издаваштву ПГП РТС / Popularisation of classical music on the programmes of Radio Belgrade and the records released by PGP RTS
(Београд : Музиколошки институт Српске академије наука и уметности, 2015)
У овом раду биће представљени носачи звука који су настали у сарадњи
између уредника емисије Драгстор озбиљне музике Радио Београда и Продукције
грамофонских плоча Радио-телевизије Србије (ПГП РТС). Ова сарадња је
уједно ...
The Roots of a National Music Canon and the Taboo of Composing Folk Tunes: The Case of Stevan Stojanović Mokranjac’s Garlands
(Farnham : Ashgate Publishing Limited, 2015)
The cycle of 15 garlands, or folk-song medleys composed by Stevan Stojanović Mokranjac at the end of the nineteenth and the beginning of the twentieth century forms the core of the Serbian art music canon. Thus, it is not ...
Towards vita democratica: Urban Soundscapes and the Ruptures of Subjectivity
(Bucureşti : Editura Universităţii din Bucureşti, 2015)
When speaking of democracy, the language of Jacques Rancière becomes strangely physical. “Real democracy“, states Rancière in his paper delivered in 1986, “would presuppose that the demos be constituted as a subject present ...
Дигитална музикологија / Digital Musicology
(Београд : Универзитет у Београду, Филолошки факултет, 2015)
Reception of Serbian traditional rural singing in ‘the West’, ‘the East’ and beyond: the experiences of neo-traditional ensembles from Belgrade
(Belgrade : Institute of Musicology SASABelgrade : Department of Fine Arts and Music SASA, 2015)
This chapter is an attempt to contribute to the latest research trends in European ethnomusicology by looking into the issue of a relationship between the terms music and familiarity (Stobart 2013). Stobart offers an ...
Zora D. and Isidora Ž. between East and West
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and ArtsBelgrade : Department of Fine Arts and Music, Serbian Academy of Sciences and Arts, 2015)