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Now showing items 121-127 of 127
Kosta P. Manojlović and Narratives on “Southern Serbia”
(Belgrade : Institute of Musicology SASA, 2017)
In this article I will discuss interwar narratives on “Southern Serbia” in the context of music practices, specifically referring to the activities of Kosta Manojlović as music scholar, collector of folk songs, and composer. ...
Afroameričke džez pevačice i politike identiteta u SAD 60-ih godina prošlog veka: slučaj Nine Simon / African American jazz singers and the politics of identity in the 1960s: the case of Nina Simone
(Kragujevac : Udruženje "Žene u muzici", 2015)
Uporedo sа porаstom političkih tenzijа u globаlnim okvirimа usled аntаgonizmimа ekonomski i vojno nаjmoćnijih zemаljа, prve decenije nаkon Drugog svetskog rаtа donele su i intenzivirаnje konflikаtа unutаr аmeričkog društvа ...
Reflections of All-Slavic Political Ideals in the Narratives on Music: The Case of Yugoslav Music Journals in the Interwar Period
(Barcelona : Institut d’Estudis Catalans, 2016)
The field of music in the Kingdom of Serbs, Croats and Slovenes/Kingdom of Yugoslavia went through a thorough transformative processes that affected not only music production and performance but also music journalism. ...
Patterns of music taste as markers of sociocultural transformation in Serbia between the two world wars: The example of Jovan Frajt's music publications
(Belgrade : Faculty of Music, 2014)
The available printed scores form Jovan Frajt's collection, as well as the preserved fragments of his catalogue, are analysed thoroghly. The results of the analysis are explained in depth using the published statistical ...
Kosta P. Manojlović and the Narratives on ‘Southern Serbia’
(Belgrade : Institute of Musicology SASA, 2016)
The Dream of the East: The Sound of Kaval and Visions of Serbian Homeland
(Belgrade : Institute of Musicology SASA, 2013)
"Naš stranac" ili kontradiktornosti esencijalističkog koncepta nacionalnog identiteta: Poimanje uloge Davorina Jenka u kulturnom životu Beograda (1865-1914) od strane savremenika
(Beograd : Naučno društvo za istoriju zdravstvene kulture : Istraživački centar za društvene nauke i umetnosti, 2013)
Muzičke institucije u Beogradu u drugoj polovini 19. veka u velikoj su meri zavisile od inostranih kadrova, najčešće građana Austro- Ugarske, usled nedostatka adekvatno obrazovanih domaćih muzičkih stručnjaka. Ovakva ...