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The 'Guslar': Individual identity and tradition / Guslar - individualni identitet i tradicija 

Lajić-Mihajlović, Danka (Музикологија / Musicology, 2007)
The subject of this paper is the relation between individual and collective identity within the folk-music tradition, from the perspective of ethnomusicology. Solo folk musicians have more latitude than those who perform ...
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The traditional and modern in church music: A study in canon and creativity / Tradicionalno i moderno u crkvenoj muzici - ogled o kanonu i inventivnosti 

Peno, Vesna (Музикологија / Musicology, 2006)
Definitions of the terms "traditional" and "modern", relating to the chanting tradition of the Eastern Church, sprang from research into so-called kalophony - a specific compositional method that established melismatic ...
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Serbian musical criticism and essay writings during the XIXth and the first half of the XXth century as a subject of musicology research / Srpska muzička kritika i esejistika XIX i prve polovine XX veka kao predmet muzikoloških istraživanja 

Vasić, Aleksandar N. (Музикологија / Musicology, 2006)
The beginning of 2006 marked two decades since the death of Stana Djurić-Klajn, the first historian of Serbian musical literature. This is the exterior motive for presenting a summary of the state and results of up-to-date ...
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Značaj digitalizacije muzikalija i zvučnih zapisa u Arhivu i Fonoteci Muzikološkog instituta SANU / The importance of Digitization of Music Collection at Institute of Musicology Sasa 

Tomašević, Katarina (Belgrade : Faculty of Mathematics, 2003)
U tekstu je reč o biblioteci, arhivi i fonoteci Muzikoločkog instituta SANU sa stanovišta potrebe za digitalizacijom i mogućnosti za nju. Tako bi se očuvala neka retka i već oštećena muzička izdanja.
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On the orthodox church melos: A contribution to the typology of church chant / O napevu u pravoslavnom crkvenom pojanju - prilog tipologiji crkvenih napeva 

Peno, Vesna M. (Музикологија / Musicology, 2003)
Many unresolved questions related to post-Byzantine church chanting present obstacles to understanding some aspects of church music since the 19th century. One of those problems concerns the need for strict definitions of ...
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Communion songs not regulated by the typicon in the recent tradition of Serbian church singing / Tipikom nepropisane pričasne pesme u novijoj tradiciji srpskog crkvenog pojanja 

Peno, Vesna M. (Музикологија / Musicology, 2004)
In notated collections of Serbian church hymns from the 19th and 20th century there are, among others, communion songs with texts that were not regulated by the Typicon. These so-called "arbitrary communion songs" have ...
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The 'Stevan Mokranjac' award for 2005 Dejan Despić: Diptych for English horn and string instruments / Nagrada 'Stevan Mokranjac' za 2005. godinu - Dejan Despić - diptih za engleski rog i gudače 

Tomašević, Katarina (Novi zvuk - internacionalni časopis za muziku, 2007)
In 2005 academician Dejan Despić celebrated the 75th birthday and 50 years of his fruitful work (180 opuses!). Six concerts held in Belgrade, Novi Sad and Kragujevac were the excellent occasion for the remarkable retrospective ...
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Problem of the 'national style' in the writing of Miloje Milojević / Problem nacionalnog stila u napisima Miloja Milojevića 

Vasić, Aleksandar N. (Музикологија / Musicology, 2007)
Dr. Miloje Milojević (1884-1946) was a central figure in Serbian music criticism and academic essays between the World Wars. A large part of his writings on music were dedicated to the issue of the Serbian 'national music ...
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The temporal dimension of epic songs / Vremenska dimenzija epskih pesama 

Lajić-Mihajlović, Danka (Музикологија / Musicology, 2006)
Since research into south-Slav epic songs began, finding its place within philological sciences, the musical component has been marginalized. In extreme cases the correlation between poetry and music was even denied. In ...
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The Stockhausen Composition and Interpretation Courses 

Medić, Ivana (Belgrade : Department of Musicology, Faculty of Music, 2005)
This article deals with Karlheinz Stockhausen’s Summer Courses, which take place annually in a German town Kürten, near Cologne. Last year (between July 31 and August 9) the courses in composition and interpretation ...
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