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Multiculturalism of Kosovo and Metohija in the 1950s and 1960s Expressed in Traditional Music
(Београд : Музиколошки институт Српске академије наука и уметности, 2018)
Сусрет америчког музиколога Еверета Хелма са музичком културом Југославије
(Београд : Студентски културни центар, 2019)
У години радикалног преусмерења југословенске политике од истока према западу (1948), амерички композитор и музиколог Еверет Бартон Хелм сели се из Америке у Европу и постаје врло утицајан музички критичар. Међу бројним ...
Мултикултуралност Косова и Метохије 50-их и 60-их година XX века изражена кроз традиционалну музику
(Београд : Музиколошки институт Српске академије наука и уметности, 2018)
INSAM Journal of Contemporary Music, Art and Technology 5 (II/2020)
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2020)
The fifth issue of INSAM Journal of Contemporary Music, Art and Technology is the second one we are preparing and publishing in the Covid-19 pandemic. And while the theme for the previous issue was conceived in a world ...
Intensifying the Monstrous: Extended Vocal Techniques in Extreme Metal Music
(2018)
Extended vocal techniques, such as scream and growl, are an important puzzle in the sonic
transgression picture of extreme metal music and other subgenres. The distorted sound result
produced by the usage of these ...
INSAM Journal of Contemporary Music, Art and Technology 1 (I/2018)
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2018)
INSAM Journal of Contemporary Music, Art and Technology 3 (II/2019)
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2019)
INSAM Journal of Contemporary Music, Art and Technology 2
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2019)
The subject of machine learning and creativity, as well as its appropriation in arts is the focus of this issue with our Main theme of – Artificial Intelligence in Music, Arts, and Theory. In our invitation to collaborators, ...
INSAM Journal of Contemporary Music, Art and Technology 4 (I/2020)
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2020)
Human-Machine Collaboration in music, arts, and theory, has come to be a particularly challenging, provocative, and necessary topic. As we underlined in the Call for Papers, the theme of the issue highlighted our intention ...