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The Vienna New Year's Concert as a Media Phenomenon 

Maglov, Marija (Belgrade : Department of Musicology, Faculty of Music, 2013)
This paper is aimed at drawing attention to the problem of the media representation of artistic music, through the case study of the television broadcast of the New Year’s Concert in Vienna. The text contains a brief ...
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The Collage-Shaped Worlds of Gustav Mahler's Rückert Symphonies 

Bralović, Miloš (Belgrade : Department of Musicology, Faculty of Music, 2014)
The main goal of this paper was to reveal the very beginnings of collage technique in Western art. Musical materials taking place in the scherzo movements of Gustav Mahler’s Fifth, Sixth and Seventh Symphony are arranged ...
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Past Music, Future Music: Technology and Music Institutions in the 20th Century 

Maglov, Marija (Belgrade : Department of Musicology, Faculty of Music, 2016)
In his text "Technology and the Composer" Pierre Boulez writes about new technologies that emerged in the 20th century, primarily created for the purposes of music recording and reproduction, but also established as means ...
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Bojana Radovanović, Eksperimentalni glas: Savremena teorija i praksa [Experimental Voice: Contemporary Theory and Practice], Belgrade: Orion Art, 2018, 170 pages, ISBN 978-86- 6389-073-21 

Maglov, Marija (Belgrade : Department of Musicology, Faculty of Music, 2019)
Musicologist and theoretician of art Bojana Radovanović published a monograph dedicated to the problem of experimental voice in contemporary theory and practice, in 2018. Radovanović’s book is based on her Master’s Thesis ...
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The Stockhausen Composition and Interpretation Courses 

Medić, Ivana (Belgrade : Department of Musicology, Faculty of Music, 2005)
This article deals with Karlheinz Stockhausen’s Summer Courses, which take place annually in a German town Kürten, near Cologne. Last year (between July 31 and August 9) the courses in composition and interpretation ...
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Летњи курс из композиције и интерпретације Карлхајнца Штокхаузена 

Медић, Ивана (Belgrade : Department of Musicology, Faculty of Music, 2005)
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Annulling the Trauma: Neoclassicism as a Modernist (?) Antidote to Society’s Ills 

Bralović, Miloš (Belgrade : Faculty of Music, 2019)
In this paper, we shall examine the overall conditions of the emergence of neoclassicism in Paris, shortly after the First World War. Compared to that, the emergence of neoclassicism in Serbian music is also going to be ...
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Српска уметничка музика као део фонда Музиколошке библиотеке Филозофског факултета у Љубљани: опис и критички осврт 

Маринковић, Милош (Belgrade : Department of Musicology, Faculty of Music, 2020)
У раду се разматра хетерогена грађасрпске уметничке музичке баштине, похрањена у Библиотеци Катедре за музикологију Филозофског факултета у Љубљани (Oddelek za muzikologijo, Filozofska fakulteta, Univerza v ...
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What does the Humming Avatar Remember? Composer's Voice and Memory in Ana Gnjatović's Phonations 

Radovanović, Bojana (Belgrade : Department of Musicology, Faculty of Music, 2018)
Written as a twofold dissertation on Ph.D. studies of composition at the Faculty of Music in Belgrade, which consists of the piece and the autopoetic text, Ana Gnjatović's Phonations for voice and electronics (2016), raises, ...
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Parenting the Piano: Miroslav Miša Savić's St. Lazarus Waltz 

Medić, Ivana (Belgrade : Department of Musicology, Faculty of Music, 2017)
This article deals with a work by a contemporary Serbian composer Miroslav Miša Savić (b. 1954): St. Lazarus Waltz for one or two grand pianos, with or without children’s toy pianos. Since St. Lazarus is ...

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Year published 2010 - 2020 (8)2005 - 2009 (2)Document Type
article (10)
VersionPublished version (10)Journal/Monograph
New Sound International Journal of Music (10)
SubjectAna Gnjatović (1)Belgrade 1950s (1)class (1)collage (1)composer's voice (1)... View More

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