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Дијахронијска перспектива (дис)континуитета вокалног и вокално-инструменталног музичког изражавања Влаха у околини Петровца на Млави
(Београд : Удружење фолклориста СрбијеБеоград : Универзитетска библиотека "Светозар Марковић"Лозница : Центар за културу "Вук Караџић", 2019)
Музика влашке етничке заједнице у Србији до сада је окупирала пажњу етномузиколога, који су акценат стављали првенствено на инструменталну праксу, док су облици вокалног и вокално-инструменталног изражавања нешто мање ...
Dejan Despić: Na kraju puta, poema za kamerni orkestar, op. 125 - kratka istorija teksta ili prolog, prikaz u 8 koraka, epilog
(Novi zvuk - internacionalni časopis za muziku, 1998)
Београдски гудачки квартет као потврда Мокрањчевих афинитета према камерној музици / Belgrade String Quartet as a Confirmation of Mokranjac's Affinities for the Chamber Music
(Неготин : Дом културе Стеван Мокрањац, 2018)
У раду се разматра Мокрањчев, често маргинализован допринос инструменталном, односно камерном музичком подручју, за које је Стеван Мокрањац показивао интересовање (уз повремене прекиде) током читавог живота. Стога се ...
The 'Guslar': Individual identity and tradition / Guslar - individualni identitet i tradicija
(Музикологија / Musicology, 2007)
The subject of this paper is the relation between individual and collective identity within the folk-music tradition, from the perspective of ethnomusicology. Solo folk musicians have more latitude than those who perform ...
The 'Stevan Mokranjac' award for 2005 Dejan Despić: Diptych for English horn and string instruments / Nagrada 'Stevan Mokranjac' za 2005. godinu - Dejan Despić - diptih za engleski rog i gudače
(Novi zvuk - internacionalni časopis za muziku, 2007)
In 2005 academician Dejan Despić celebrated the 75th birthday and 50 years of his fruitful work (180 opuses!). Six concerts held in Belgrade, Novi Sad and Kragujevac were the excellent occasion for the remarkable retrospective ...
Serbian music criticism in the first half of the twentieth century: Its canon, its method and its educational role / Starija srpska muzička kritika - kanon, postupak, prosvetiteljska tendencija
(Музикологија / Musicology, 2008)
Serbian music criticism became a subject of professional music critics at the beginning of the twentieth century, after being developed by music amateurs throughout the whole previous century. The Serbian Literary Magazine ...
The Collage-Shaped Worlds of Gustav Mahler's Rückert Symphonies
(Belgrade : Department of Musicology, Faculty of Music, 2014)
The main goal of this paper was to reveal the very beginnings of collage technique in Western art. Musical materials taking place in the scherzo movements of Gustav Mahler’s Fifth, Sixth and Seventh Symphony are arranged ...
Kroz homoljske kapije
(World Music asocijacija Srbije, Jagodina, 2016)
Историјски аспекти и савремене праксе извођења староградске музике у Београду / Historical Aspects and Contemporary Performance Practices of “Old Urban Music” (starogradska muzika) in Belgrade
(Belgrade : Faculty of Music, 2017)
This review was written as part of the project Serbian Musical Identities within Local and Global Frameworks: Traditions, Changes, Challenges (ON 177004), funded by the Ministry of Education, Science, and Technological ...
Ethnomusicological biography of the traditional folk musician: Biography of the gusle-player / Etnomuzikološki 'portret' narodnog muzičara - guslar
(Музикологија / Musicology, 2008)
With the development of ethnomusicology from a comparative discipline to an anthropologically oriented science there has been an increase in the significance of the biography of folk musicians as scientific sources. The ...