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After Zero Hour: States as “Custodians of Universal Human Culture,” or “Guardians of Advanced Art” / После нулте године: државе као „чувари универзалне културе човечанства” или „чувари напредне уметности”
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2017)
The emergence of radically new, avant-garde movements in German music and
throughout Western Europe after WW2 has often been seen as expressing a
strivings to create on a tabula rasa, in order to create distance from the ...
Допринос Петра Кранчевића раду Српског црквеног певачког друштва Кранчевић / Contribution of Petar Krancevic to the Work of Serbian Church Singing Society in Sremska Mitrovica
(Неготин : Дом Културе, 2016)
У тексту се сагледава уулога композитора и диригента Петра Кранчевића (1869-1919) и делатност важног ансамбла у музичком животу Сремске Митровице XIX века - Српског црквеног певачког друштва Кранчевић. Циљ истраживања је ...
Ancient Greek Mythology Mediated by Latin Culture: on Vlastimir Trajković's Arion and Zephyrus Returns / Античка грчка митологија посредована латинском културом. О Ариону и Повратку Зефира Властимира Трајковића
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2012)
Vlastimir Trajković (b. 1947) is a prominent Serbian composer with a strong inclination
towards subjects from ancient Greek mythology. Among his most important achievements may
be counted Arion – le nuove musiche per ...
In the Orbit of Shostakovich : Vasilije Mokranjac's Symphonies
(United States of America : Charles Schlacks, 2013)
Born into a famous Serbian musical dynasty, Vasilije Mokranjac (19231984) emerged as a distinctive talent on his own and became one of the most renowned Serbian/Yugoslav composers of the second half of the twentieth century, ...