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After Zero Hour: States as “Custodians of Universal Human Culture,” or “Guardians of Advanced Art” / После нулте године: државе као „чувари универзалне културе човечанства” или „чувари напредне уметности”
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2017)
The emergence of radically new, avant-garde movements in German music and
throughout Western Europe after WW2 has often been seen as expressing a
strivings to create on a tabula rasa, in order to create distance from the ...