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The Relation of Music Archiving and Intangible Cultural Heritage in Serbia
(Trabzon: Karadeniz Technical University State Conservatory, 2019)
Speaking from an ethnomusicological standpoint, this paper elaborates on the use of recorded sound and audio-visual material for the purpose of documenting particular musical elements in Serbia, according to the concept ...
Новe културално-фестивалскe перспективe у Хрватској и Србији као резултат друштвено-политичке трансформације музичког фестивала у СФРЈ (Од Југославенске музичке трибине, преко Трибине музичког стваралаштва Југославије, до Глазбене трибине Опатија/Међународне глазбене трибине и Међународне трибине композитора)
(Београд : Факултет музичке уметности, 2018)
The subject of this paper is the relation between the music festival as social event and circumstances in the context of the Yugoslav political regime. I tried to demonstrate strong relation of the music life and the ...
The Establishing of a Professional Folk Orchestra in the Interwar period in Belgrade
(Belgrade : Faculty of music, 2016)
This paper aims to illuminate on how the institution of the folk orchestra in Serbia was established using archive material. The folk orchestra, as a specific instrumental formation for accompaniment of popular folk songs ...
Toward the Typology of Traditional Instrumental Music of Serbia
(Praha : Etnologický ústav Akademie věd České republiky, v.v.i., 2017)
This paper contains an overview of the research on traditional instrumental music in Serbia with a special focus on the latent ideas regarding typology. Namely, in comparison with traditional songs, instrumental music has ...
Identities expressed through practice of kaval playing and building in Serbia in 1990s
(Belgrade : SASA : Institute of Musicology of SASA, 2012)
This paper discusses the circumstances under which the building and playing of the kaval became topical in Serbia (Belgrade) at the end of twentieth century: the work of the Byzantine choir “Saint John of Damascus” and ...
Ликовни, етнографски и литерарни извори о инструменту кавалу на територији Србије и Македоније / Sources in medieval paintings, ethnographic and literary sources about the instrument kaval in Serbia and Macedonia
(Нови Сад : Матица српска, Одељење за сценске уметности и музику, 2013)
Растућа популарност кавала у савременим условима у Србији иницирала је потребу за синтетичким радом у којем би, паралелним сагледавањем разнородних података о овом инструменту са простора Србије и Македоније, била омогућена ...
Questioning the Possibility of Revitalising Traditional Rural Songs in Topola, Serbia
(Newcastle upon Tyne : Cambridge Scholars Press, 2010)
This chapter will explore the possibility of reviving the Serbian musical tradition in the city of Topola in Šumadija, Serbia’s central region. I will draw upon a singing workshop that I gave to, and that informed a field ...
Annual concerts of cultural-artistic associations in Serbia : the clash of two different Concepts of professionalization
(Belgrade : Faculty of Music, 2016)
In this paper two concepts of professionalization are observed within a unique cultural context: the annual concept of the cultural-artistic society (KUD) in a small town in central Serbia. It is about the conception 1) ...
Староградска музика у Србији: Наслеђе, стваралаштво, рецепција / Starogradska Muzika ("Old Urban Music") In Serbia: Heritage, Creation, Reception
(Ниш : Факултет музичке уметности, 2018)
Поред основних структуралних карактеристика жанра, у овом раду биће концизно представљени резултати првог опсежног етномузиколошког истраживања архивских, теренских и медијских извора о староградској музици у Србији (нарочито ...
On Missed Opportunities: The International Review of Composers in Belgrade and the “Postsocialist Condition”
(Belgrade : Institute of Musicology SASA, 2020)
In this article we observe the history of the International Review of Composers in Belgrade, the most enduring annual festival of contemporary art music in Serbia, founded in 1992. We have borrowed the syntagm ‘postsocialist ...