Point of departure in this paper is the notion of the avant-garde in music as viewed by Serbian musicologist Mirjana Veselinović Hofman, with focus on her concept of local avant-garde, compared to the concept of transculturality ...

In his doctoral dissertation (Vreme umetnosti, 1968), Dragutin Gostuški argues that one of the most important missions for the contemporary theory of the arts to partake in is to systematically examine matters through ...

Interesovanje za izučavanje glasa je u porastu u proteklih nekoliko godina. Brojne naučne i teorijske discipline su se upustile u teoretizaciju i proučavanje pluraliteta glasa, čije je zvučno „bivanje između“ mesto višestrukog ...

У овом раду заступа се теза да медијска технологија поставља услове у којима се мисли музика, те да представља оквир у коме се појављују и у односу на кога се сагледавају партикуларне музичке праксе XX века, а који је у ...

Dragutin Gostuški (1923-1998), a composer and an art historian by vocation, as well as a musicologist and a music critic by ambition, is one of the most prominent personalities in the Serbian and Yugoslav music scene in ...

The main subject of this paper is the relationship between musicology and the vast corpus of theoretical knowledge that could be recognized under the umbrella term of media studies or media theory. Although some aspects ...

This paper focuses on the notions of performance, or, more precisely, the notion of studying performance in the fields of performance studies and musicology. Taking into account that different understandings of the ...