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Methodological contribution to the research of the Serbian church chant in the context of Balkan vocal music / Прилог методологији проучавања српског црквеног појања у контексту вокалне музике Балкана
(Belgrade : Institute of Musicology SASA, 2012)
The describing, defining and adequate estimating of basic parameters of the Serbian Orthodox chant cannot give correct and reliable results if the methodological approach is not adjusted to the unique principles of traditional ...
Hybrid Vocal Forms - Mixture of Old and More Recent Vocal Styles and of Traditional Music Dialects in Jasenica Region in Central Serbia
(Tbilisi : International Research Center for Traditional Polyphony of Tbilisi Vano Sarajishvili Tbilisi State Conservatoire, 2012)
The so-called hybrid forms, as a segment of the Serbian two-part rural vocal tradition combining the features of older and more recent two-part singing, have already been discussed in a number of papers (Dević, 1979, 1997; ...
This is the Balkans: Constructing positive Stereotypes about the Balkans and Autobalkanism
(Београд : Одељење ликовне и музичке уметности Српске академије наука и уметностиБеоград : Музиколошки институт Српске академије наука и уметности, 2012)
This paper deals with ‘Balkan music’, a specific sound notion of an imaginary place of the ‘European inner Other’. It emphasizes a very significant role of music in the process of creating stereotypic images about the ...
Ово је Балкан: Конструисање позитивних стереотипа о Балкану и аутобалканизам / This is the Balkans: Constructing positive Stereotypes about the Balkans and Autobalkanism
(Београд : Одељење ликовне и музичке уметности САНУБеоград : Музиколошки институт САНУ, 2012)
This paper deals with ‘Balkan music’, a specific sound notion of an imaginary place of the ‘European inner Other’. It emphasizes a very significant role of music in the process of creating stereotypic images about the ...
Introduction: Music and ethnomusicology – encounters in the Balkans / Увод: Музика и етномузикологија – сусрети на Балкану
(Belgrade : Institute of Musicology SASA, 2012)
This paper presents an overview of the latest experiences in ethnomusicological research based on the texts incorporated in this collection of works. These experiences emanate primarily from the local researchers’ works ...
Identities expressed through practice of kaval playing and building in Serbia in 1990s
(Belgrade : SASA : Institute of Musicology of SASA, 2012)
This paper discusses the circumstances under which the building and playing of the kaval became topical in Serbia (Belgrade) at the end of twentieth century: the work of the Byzantine choir “Saint John of Damascus” and ...