Претраживање
Приказ резултата 1-6 од 6
The 'Guslar': Individual identity and tradition / Guslar - individualni identitet i tradicija
(Музикологија / Musicology, 2007)
The subject of this paper is the relation between individual and collective identity within the folk-music tradition, from the perspective of ethnomusicology. Solo folk musicians have more latitude than those who perform ...
Von der synoptischen zur analytischen neumatischen Notation Am Beispiel des Sticherons von Germanos Neon Patron / Od stenografske do analitičke neumske notacije na primeru Stihirara Germana, episkopa Nove Patre
(Музикологија / Musicology, 2007)
Die Abwesenheit eines einheitlichen Schlussels in der Dechiffrage der sogenannten 'alten' neumatischen Intonation (vor der letzten Reform anfangs des neunzehnten Jarhunderts) ist in erster Linie durch ihre Natur selbst ...
The 'Stevan Mokranjac' award for 2005 Dejan Despić: Diptych for English horn and string instruments / Nagrada 'Stevan Mokranjac' za 2005. godinu - Dejan Despić - diptih za engleski rog i gudače
(Novi zvuk - internacionalni časopis za muziku, 2007)
In 2005 academician Dejan Despić celebrated the 75th birthday and 50 years of his fruitful work (180 opuses!). Six concerts held in Belgrade, Novi Sad and Kragujevac were the excellent occasion for the remarkable retrospective ...
Problem of the 'national style' in the writing of Miloje Milojević / Problem nacionalnog stila u napisima Miloja Milojevića
(Музикологија / Musicology, 2007)
Dr. Miloje Milojević (1884-1946) was a central figure in Serbian music criticism and academic essays between the World Wars. A large part of his writings on music were dedicated to the issue of the Serbian 'national music ...
Music and collective identities / Kolektivni identiteti i muzika
(Музикологија / Musicology, 2007)
This paper presents some introductory observations on the ways in which the opposition between the modern and post-modern understanding of social identities can be overcome in the context of musicology. It is based on the ...
The Ideology of Moderated Modernism in Serbian Music and Musicology / Идеологија умереног модернизма у српској музици и музикологији
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2007)
The term ‘moderated modernism’ has been current for quite some
time in Serbian music historiography, but there have been only a few attempts
to define it. I shall try to define the term, introduce some of its key ...