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Nove (inter)nacionalne perspektive jugoslovenske umetničke muzičke scene (Muzički bijenale Zagreb i Jugoslavenska muzička tribina)
(Beograd : Klub 128, 2018)
Godine 1961. održan je prvi međunarodni festival savremene muzike u SFRJ
– Muzički bijenale Zagreb (Muzički biennale Zagreb). Otvorivši jugoslovenskoj publici
horizonte ka savremenoj evropskoj i američkoj muzici, Bijenale ...
‘Thank you for not attending!’: The Relevance of the Issue of Sociocultural Inequalities in the Process of Reforming Cultural Policy in Post-Milošević Serbia
(New York/London : Routledge, 2023)
After the fall of Slobodan Milošević in October 2000, the new political elite sought to bring about profound changes in Serbia’s political, social, economic, and cultural life. With the ambition to dampen or reverse the ...
For the ‛Authentic’ National and Aesthetic Values: The Challenges of Music Production and Performance in the Kingdom of Serbia (1882–1914)
(Brepols : Turnhout, 2023)
Apart from struggling for state autonomy throughout the 19th century, the Serbian political and intellectual elite strove to reform Serbian society in order to create a strong and respectable state that would represent a ...
Activism on Musical Stage: The Case of the Opera “The Last Little Girls”
(Kraków : Jagiellonian University in Kraków, 2022)
The opera The last little girls, based on the libretto “about the future of human reproduction in
15 pictures”, was created by playwright Maja Pelević, composer Irena Popović-Dragović and
director Kokan Mladenović (premiere ...
The Place of Culture and Art in the Narratives of Serbian Conservative and Radical Right Circles (1919–1941)
(Belgrade: Institute for Balkan Studies SASA, 2023)
As the Great War entered its last phases and its various implications were taking place in the coming years, the European public sphere was showing a division into two poles – one highly critical of Western European culture, ...