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The 'Guslar': Individual identity and tradition / Guslar - individualni identitet i tradicija
(Музикологија / Musicology, 2007)
The subject of this paper is the relation between individual and collective identity within the folk-music tradition, from the perspective of ethnomusicology. Solo folk musicians have more latitude than those who perform ...
Београдски гудачки квартет као потврда Мокрањчевих афинитета према камерној музици / Belgrade String Quartet as a Confirmation of Mokranjac's Affinities for the Chamber Music
(Неготин : Дом културе Стеван Мокрањац, 2018)
У раду се разматра Мокрањчев, често маргинализован допринос инструменталном, односно камерном музичком подручју, за које је Стеван Мокрањац показивао интересовање (уз повремене прекиде) током читавог живота. Стога се ...
Dejan Despić: Na kraju puta, poema za kamerni orkestar, op. 125 - kratka istorija teksta ili prolog, prikaz u 8 koraka, epilog
(Novi zvuk - internacionalni časopis za muziku, 1998)
The Relation of Music Archiving and Intangible Cultural Heritage in Serbia
(Trabzon: Karadeniz Technical University State Conservatory, 2019)
Speaking from an ethnomusicological standpoint, this paper elaborates on the use of recorded sound and audio-visual material for the purpose of documenting particular musical elements in Serbia, according to the concept ...
Драма "Модел" Миленка Пауновића / "Model", a Play by Milenko Paunović
(Нови Сад : Матица српска, 2020)
Рад је посвећен анализи мисаоно-филозофских аспеката драме Модел Миленка Пауновића, с циљем да се у даљој перспективи детаљно истраже и протумаче елементи битни за проучавање Пауновићеве уметничке поетике коју је остварио ...
Years of sound living: Mikser festival in Savamala (2012-2016) / Године доброг звука: Миксер Фестивал у Савамали (2012–2016)
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2017)
This article deals with the soundscape of Mikser, an independent festival of
contemporary creativity, established in 2009 in Belgrade, the capital city of
Serbia. I focus on the years 2012–2016, during which Mikser was ...
Time Tiiime Tiiiiiime: Considering the Problem of Musical Time on the Example of Vlastimir Trajković’s Poetics and Thomas Clifton’s Aesthetics
(Novi Sad : Matica srpska, 2018)
In this paper, approach to the phenomenon of musical time
within Vlastimir Trajković’s poetics and phenomenological aesthetics of music
by Thomas Clifton was comparatively considered, inspired by the composition
"Arion. ...
Dejan Despić: Muzička nedelja - sedam karakternih komada, op. 123 - za dva violončela, o dijalogu
(Novi zvuk - internacionalni časopis za muziku, 1998)
Masovne pesme Josipa Slavenskog iz arhivske zbirke Fakulteta muzičke umetnosti u Beogradu. Pokušaj kontekstualizacije / Josip Slavenski's Mass Songs from the Archived Collection at the Faculty of Music in Belgrade. An Attempt at Contextualisation
(Split : Umjetnička akademija u Splitu, 12-2020)
Cilj ovog rada jeste predstavljanje nekih od manje poznatih dela Josipa
Slavenskog (1896. –1955.). Konkretno, reč je o kolekciji od tridesetak masovnih
pesama koje se nalaze u kompozitorovoj rukopisnoj zaostavštini, a ...
Center for Popular Music Research and Popular Music Studies in Serbia: Institutionalization on the Musicological Margins
(Hägersten : The International Association for the Study of Popular Music, 2020)
The subject of this article is the Center for Popular Music Research in Belgrade, Serbia, founded in 2013. More precisely, this paper deals with the context of the foundation of the Center on the “margins” of musicology, ...