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The Establishing of a Professional Folk Orchestra in the Interwar period in Belgrade
(Belgrade : Faculty of music, 2016)
This paper aims to illuminate on how the institution of the folk orchestra in Serbia was established using archive material. The folk orchestra, as a specific instrumental formation for accompaniment of popular folk songs ...
Questioning the Possibility of Revitalising Traditional Rural Songs in Topola, Serbia
(Newcastle upon Tyne : Cambridge Scholars Press, 2010)
This chapter will explore the possibility of reviving the Serbian musical tradition in the city of Topola in Šumadija, Serbia’s central region. I will draw upon a singing workshop that I gave to, and that informed a field ...
The Relation of Music Archiving and Intangible Cultural Heritage in Serbia
(Trabzon: Karadeniz Technical University State Conservatory, 2019)
Speaking from an ethnomusicological standpoint, this paper elaborates on the use of recorded sound and audio-visual material for the purpose of documenting particular musical elements in Serbia, according to the concept ...
Староградска музика у Србији: Наслеђе, стваралаштво, рецепција / Starogradska Muzika ("Old Urban Music") In Serbia: Heritage, Creation, Reception
(Ниш : Факултет музичке уметности, 2018)
Поред основних структуралних карактеристика жанра, у овом раду биће концизно представљени резултати првог опсежног етномузиколошког истраживања архивских, теренских и медијских извора о староградској музици у Србији (нарочито ...
Annual concerts of cultural-artistic associations in Serbia : the clash of two different Concepts of professionalization
(Belgrade : Faculty of Music, 2016)
In this paper two concepts of professionalization are observed within a unique cultural context: the annual concept of the cultural-artistic society (KUD) in a small town in central Serbia. It is about the conception 1) ...
Identities expressed through practice of kaval playing and building in Serbia in 1990s
(Belgrade : SASA : Institute of Musicology of SASA, 2012)
This paper discusses the circumstances under which the building and playing of the kaval became topical in Serbia (Belgrade) at the end of twentieth century: the work of the Byzantine choir “Saint John of Damascus” and ...
Ликовни, етнографски и литерарни извори о инструменту кавалу на територији Србије и Македоније / Sources in medieval paintings, ethnographic and literary sources about the instrument kaval in Serbia and Macedonia
(Нови Сад : Матица српска, Одељење за сценске уметности и музику, 2013)
Растућа популарност кавала у савременим условима у Србији иницирала је потребу за синтетичким радом у којем би, паралелним сагледавањем разнородних података о овом инструменту са простора Србије и Македоније, била омогућена ...
Rural musical culture of migrants from Dinaric regions settled in central Serbia
(Braşov : ‘Henri Coandă’ Air Force Academy Publishing House, 2016)
Specific culture of the inhabitants of the Dinaric mountains region in the Western Balkans has already been observed primarily by ethnographers, antropogeographers and historians, and in recent times also by ethnomusicologists. ...
Ethnomusicological Researches in Šumadija
(Brčko : Association for Fostering of the Serb Cultural- Historical Heritage Baštinar, 2007)
Šumadija is nowadays defined as a geographical area in central Serbia, between the rivers Sava and Danube in the north, Velika Morava in the cast, Zapadna Morava in the south, Kolubara in the west and the Kamenica - Čemernica ...
Patterns of music taste as markers of sociocultural transformation in Serbia between the two world wars: The example of Jovan Frajt's music publications
(Belgrade : Faculty of Music, 2014)
The available printed scores form Jovan Frajt's collection, as well as the preserved fragments of his catalogue, are analysed thoroghly. The results of the analysis are explained in depth using the published statistical ...