Search
Now showing items 1-10 of 10
"The Most Important Role Performer Can Take On Is To Promote New Music": Interview with Nataša Penezić
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2018)
Interview with pianist Nataša Penezić
Process in the aesthetical and theoretical thought of Karlheinz Stockhausen
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2018)
Process is the key aspect of Karlheinz Stockhausen’s (1928–2007) musical discourse. In this paper, I aim to present the composer’s understanding of the word process and mark the place that this word has in the aesthetical ...
Rebecca Jane Bennet and Angela Cresswell Jones (Eds.), The Digital Evolution of Live Music. Kidlington, Chandos Publishing, Elsevier, 2015, 143 pp. ISBN 978-0-08-100067-0
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2018)
ERNŐ KIRÁLY – LIFE IN MUSIC, Interdisciplinary Conference with International Participation, Academy of Arts, Novi Sad, September 27–28 2019.
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2019)
Ivana Medić, Theory and Practice of Gesamtkunstwerk in the 20th and 21st Centuries – Karlheinz Stockhausen’s Operatic Cycle LIGHT/LICHT; Belgrade: Institute of Musicology SASA, 2019, ISBN 978-86-80639-33-8
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2020)
International Conference Young Musicology Belgrade 2020: Shaping the Present by The Future. Ethno/musicology and Contemporaneity. Institute of Musicology SASA. Belgrade 24-26 September 2020
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2020)
The third volume in the biannual Young Musicology conference series was organized
in Belgrade from 24 to 26 September 2020 by the Institute of Musicology, Serbian
Academy of Sciences and Arts.
“Human vs. Machine” Divide is a False Dichotomy: Interview with Dr. Kelly Snook
(INSAM Journal of Contemporary Music, Art and Technology, 2020)
Dream Master : Conversation with Vladan Radovanović
(INSAM Journal of Contemporary Music, Art and Technology, 2020)
Nina Sun Eidsheim and Katherine Meizel (Eds.), The Oxford Handbook of Voice Studies, Oxford: Oxford University Press, 2019.
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2020)
In 2019 the field of voice studies was greatly enriched by the publication of The Oxford Handbook of Voice Studies, edited by Nina Sun Eidsheim and Katherine Meizel. This publication not only collected chapters written by ...
"Collaboration, at its Heart, isn't about Control": Interview with Sougwen Chung
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2020)
In this interview, Sougwen Chung speaks about the poetics of her collaboration with robotic systems, as well as the development of D.O.U.G. and her latest projects.