Search
Now showing items 1-6 of 6
Rebecca Jane Bennet and Angela Cresswell Jones (Eds.), The Digital Evolution of Live Music. Kidlington, Chandos Publishing, Elsevier, 2015, 143 pp. ISBN 978-0-08-100067-0
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2018)
Process in the aesthetical and theoretical thought of Karlheinz Stockhausen
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2018)
Process is the key aspect of Karlheinz Stockhausen’s (1928–2007) musical discourse. In this paper, I aim to present the composer’s understanding of the word process and mark the place that this word has in the aesthetical ...
"The Most Important Role Performer Can Take On Is To Promote New Music": Interview with Nataša Penezić
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2018)
Interview with pianist Nataša Penezić
ERNŐ KIRÁLY – LIFE IN MUSIC, Interdisciplinary Conference with International Participation, Academy of Arts, Novi Sad, September 27–28 2019.
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2019)
Nina Sun Eidsheim and Katherine Meizel (Eds.), The Oxford Handbook of Voice Studies, Oxford: Oxford University Press, 2019.
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2020)
In 2019 the field of voice studies was greatly enriched by the publication of The Oxford Handbook of Voice Studies, edited by Nina Sun Eidsheim and Katherine Meizel. This publication not only collected chapters written by ...
"Collaboration, at its Heart, isn't about Control": Interview with Sougwen Chung
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2020)
In this interview, Sougwen Chung speaks about the poetics of her collaboration with robotic systems, as well as the development of D.O.U.G. and her latest projects.