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Serbian musical criticism and essay writings during the XIXth and the first half of the XXth century as a subject of musicology research / Srpska muzička kritika i esejistika XIX i prve polovine XX veka kao predmet muzikoloških istraživanja

Vasić, Aleksandar N. (Muzikologija, 2006)

The beginning of 2006 marked two decades since the death of Stana Djurić-Klajn, the first historian of Serbian musical literature. This is the exterior motive for presenting a summary of the state and results of up-to-date ...

On the orthodox church melos: A contribution to the typology of church chant / O napevu u pravoslavnom crkvenom pojanju - prilog tipologiji crkvenih napeva

Peno, Vesna M. (Muzikologija, 2003)

Many unresolved questions related to post-Byzantine church chanting present obstacles to understanding some aspects of church music since the 19th century. One of those problems concerns the need for strict definitions of ...

Communion songs not regulated by the typicon in the recent tradition of Serbian church singing / Tipikom nepropisane pričasne pesme u novijoj tradiciji srpskog crkvenog pojanja

Peno, Vesna M. (Muzikologija, 2004)

In notated collections of Serbian church hymns from the 19th and 20th century there are, among others, communion songs with texts that were not regulated by the Typicon. These so-called "arbitrary communion songs" have ...

Ethnomusicological biography of the traditional folk musician: Biography of the gusle-player / Etnomuzikološki 'portret' narodnog muzičara - guslar

Lajić-Mihajlović, Danka (Muzikologija, 2008)

With the development of ethnomusicology from a comparative discipline to an anthropologically oriented science there has been an increase in the significance of the biography of folk musicians as scientific sources. The ...

The Stockhausen Composition and Interpretation Courses

Medić, Ivana (Belgrade : Department of Musicology, Faculty of Music, 2005)

This article deals with Karlheinz Stockhausen’s Summer Courses, which take place annually in a German town Kürten, near Cologne. Last year (between July 31 and August 9) the courses in composition and interpretation ...

Летњи курс из композиције и интерпретације Карлхајнца Штокхаузена

Медић, Ивана (Belgrade : Department of Musicology, Faculty of Music, 2005)

Lajić-Mihajlović Danka: Wedding customs and songs of Montenegrins in Bačka / Lajić-Mihajlović Danka: Svadbeni običaji i pesme Crnogoraca u Bačkoj, Institut za muzikologiju i etnomuzikologiju Crne Gore, Podgorica, 2004

Radinović, Sanja (Muzikologija, 2005)

The traditions of orthodox music: Proceedings of the First International Conference on Orthodox Church Music, and the Second International Conference organized by ISOCM: Composing and Chant in the Orthodox Church / The traditions of orthodox music: Proceedings of the First International Conference on Orthodox Church Music i Druga Međunarodna konferencija u organizaciji ISOCM - komponovanje i pojanje u Pravoslavnoj crkvi

Peno, Vesna (Muzikologija, 2007)

Wolfram Gerda Wolfram (ed): Palaeobyzantine notations III, Acta of the Congress held at Hernen Castle, The Netherlands, in march 2001. A. A. Bredius Foundations Peeters, Leuven - Paris - Dudly, MA, 2004 / Volfram Gerda (ur): Paleovizantijska notacija III, Acta of the Congress held at Hernen Castle, The Netherlands, in March 2001. A. A. Bredius Foundations Peeters, Leuven - Paris - Dudly, MA, 2004

Peno, Vesna (Muzikologija, 2005)

The temporal dimension of epic songs / Vremenska dimenzija epskih pesama

Lajić-Mihajlović, Danka (Muzikologija, 2006)

Since research into south-Slav epic songs began, finding its place within philological sciences, the musical component has been marginalized. In extreme cases the correlation between poetry and music was even denied. In ...