Naslovi

Prikaz rezultata 51-70 od 1488

      Naslovi
      According the role of traditional songs in the communication process at present. Experience from Serbia [1]
      Activism on Musical Stage: The Case of the Opera “The Last Little Girls” [1]
      Activist Musicology and Informal Multimedia Archives: The Case of YouTube Channel “Serbian Composers” [1]
      Addressing a Rivalry in Music. Schubert’s Compositional Choices and the Concept of the “Beethoven Project” [1]
      African American jazz singers and the politics of identity in the 1960s: the case of Nina Simone [1]
      Afroameričke džez pevačice i politike identiteta u SAD 60-ih godina prošlog veka: slučaj Nine Simon [1]
      After The Golden Period: Opera of the Belgarde National Theatre (1971–2011) [1]
      After the Golden Period: Opera of the Belgrade National Theatre (1971-2011) [1]
      After Zero Hour: States as “Custodians of Universal Human Culture,” or “Guardians of Advanced Art” [1]
      Agency Festivals in Serbia: An Introduction [1]
      Agency фестивали у Србији: увод [1]
      Alfred Schnittke's Operas from the 1990s in the Context of Trauma Studies [1]
      Alfred Schnittke’s Concerto Grosso No. 1. By Peter J. Schmelz. Pp. xiii þ 162. Oxford Keynotes. (Oxford University Press, New York and Oxford, 2019. »10.99. ISBN 978-0-19-065372-9.) [1]
      Alienation, escapism and a search for spiritual grounding: Yugoslav youth’s turning away from the dominant social values and ‘legitimate culture’ [1]
      All-Slavic Idea Within the Association of Musicians of the Kingdom of SCS/Yugoslavia in the 1920s: Initiatives, Activities, Results [1]
      Allies in Music: French Influences and Role Models in the Cvijeta Zuzorić Association of Friends of Arts [1]
      America is another world: Conversation with composer Nataša Bogojević [1]
      Amerika je drugi svet - razgovor sa kompozitorkom Natašom Bogojević [1]
      An Apple on the Moon: Karlheinz Stockhausen's "Telemusik" [1]
      An Extrovert and a Misanthrope: Comparative Analysis of Virtuoso Aspects and the Impact of Personalities in Franz Liszt’s Piano Concerto No. 1 in E-flat Major and Alkan’s Concerto for Piano Solo [1]