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ДАИС
Музиколошки институт САНУ / Institute of Musicology SASA
МИ САНУ - Радови истраживача / MI SASA - Researchers' publications
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ДАИС
Музиколошки институт САНУ / Institute of Musicology SASA
МИ САНУ - Радови истраживача / MI SASA - Researchers' publications
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Наслови
According the role of traditional songs in the communication process at present. Experience from Serbia
[1]
Activism on Musical Stage: The Case of the Opera “The Last Little Girls”
[1]
Activist Musicology and Informal Multimedia Archives: The Case of YouTube Channel “Serbian Composers”
[1]
Addressing a Rivalry in Music. Schubert’s Compositional Choices and the Concept of the “Beethoven Project”
[1]
African American jazz singers and the politics of identity in the 1960s: the case of Nina Simone
[1]
Afroameričke džez pevačice i politike identiteta u SAD 60-ih godina prošlog veka: slučaj Nine Simon
[1]
After The Golden Period: Opera of the Belgarde National Theatre (1971–2011)
[1]
After the Golden Period: Opera of the Belgrade National Theatre (1971-2011)
[1]
After Zero Hour: States as “Custodians of Universal Human Culture,” or “Guardians of Advanced Art”
[1]
Agency Festivals in Serbia: An Introduction
[1]
Agency фестивали у Србији: увод
[1]
Alfred Schnittke's Operas from the 1990s in the Context of Trauma Studies
[1]
Alfred Schnittke’s Concerto Grosso No. 1. By Peter J. Schmelz. Pp. xiii þ 162. Oxford Keynotes. (Oxford University Press, New York and Oxford, 2019. »10.99. ISBN 978-0-19-065372-9.)
[1]
Alienation, escapism and a search for spiritual grounding: Yugoslav youth’s turning away from the dominant social values and ‘legitimate culture’
[1]
All-Slavic Idea Within the Association of Musicians of the Kingdom of SCS/Yugoslavia in the 1920s: Initiatives, Activities, Results
[1]
Allies in Music: French Influences and Role Models in the Cvijeta Zuzorić Association of Friends of Arts
[1]
America is another world: Conversation with composer Nataša Bogojević
[1]
Amerika je drugi svet - razgovor sa kompozitorkom Natašom Bogojević
[1]
An Apple on the Moon: Karlheinz Stockhausen's "Telemusik"
[1]
An Extrovert and a Misanthrope: Comparative Analysis of Virtuoso Aspects and the Impact of Personalities in Franz Liszt’s Piano Concerto No. 1 in E-flat Major and Alkan’s Concerto for Piano Solo
[1]
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