Now showing items 319-338 of 519

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      Transition in the PGP-RTB/PGP-RTS Reflected in the Classical Music Editions [1]
      Tumačenje umetničkih praksi u diskursu Antonija Gramšija. Ka konstruisanju gramšijevske analize muzike u modernim i postmodernim društvima [1]
      Twelfth Congress of the International Society for Ethnology and Folklore (SIEF) – Zagreb, 21–25 June 2015 [1]
      Two Views on the Yugoslav Ideology in Serbian Music Periodicals Between the Two World Wars [1]
      Unchaining the Digital Music Business? 8th Vienna Music Business Research Days (September 12 to 14, 2017) [1]
      Urban Music from Kosovo and Metohija in the Researches of Serbian Ethnomusicologists up to the Second Half of the Twentieth Century [1]
      Violetta's Dream - The Dead of Verdi [1]
      Vlchs music of Homolje in the legacy of Olivera Mladenović [1]
      Vocal Expression in Works by Ernő Király: Voice as a Symptom and a Symbol of Avant-garde Artistic Encounters [1]
      Voice and Body as the Subject of Research: A View from Musicology [1]
      Voice as Medium and Objet Petit A: Musicological Contribution to Voice Studies [1]
      Vokalni izraz u delima Erna Kiralja: Glas kao simptom i simbol avangardnih umetničkih susreta [1]
      Volfram Gerda (ur): Paleovizantijska notacija III, Acta of the Congress held at Hernen Castle, The Netherlands, in March 2001. A. A. Bredius Foundations Peeters, Leuven - Paris - Dudly, MA, 2004 [1]
      Von der synoptischen zur analytischen neumatischen Notation Am Beispiel des Sticherons von Germanos Neon Patron [1]
      Vremenska dimenzija epskih pesama [1]
      What does the Humming Avatar Remember? Composer's Voice and Memory in Ana Gnjatović's Phonations [1]
      Why and how is academic research on music important for audience development? [1]
      Wolfram Gerda Wolfram (ed): Palaeobyzantine notations III, Acta of the Congress held at Hernen Castle, The Netherlands, in march 2001. A. A. Bredius Foundations Peeters, Leuven - Paris - Dudly, MA, 2004 [1]
      Word and melody in the opus of Momčilo and Svetomir Nastasijević [1]
      Written word on music in the journal for theatre, music and film "Comoedia" [1]