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ДАИС
Музиколошки институт САНУ / Institute of Musicology SASA
МИ САНУ - Радови истраживача / MI SASA - Researchers' publications
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ДАИС
Музиколошки институт САНУ / Institute of Musicology SASA
МИ САНУ - Радови истраживача / MI SASA - Researchers' publications
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Наслови
Contemplating Mahler: Serbian Composer Stanojlo Rajičić and His Cycles for Voice and Orchestra Na liparu (On Lipar, 1950) and Lisje Žuti (The Leaves Are Turning Yellow, 1953)
[1]
Contemporary and Traditional as an Example of Electronic Music Author from Bosnia and Herzegovina Adi Lukovac
[1]
Contemporary and Traditional in Creativity of Bosnian-Herzegovinian Author Adi Lukovac
[1]
Contemporary Music Review Vol. 41, No. 5-6
[1]
Contemporary musical historiography and the problems of the methodological approach
[1]
Contemporary Musicology in a Neither/Nor State. Challenging the Status of Music(ologic)al Periphery
[1]
Contemporary Popular Music Studies
[1]
Contemporary Strategies of Music Festivals: Rossi Fest from Belgrade
[1]
Contemporary Urban Folk Music in the Balkans: Possibilities for Regional Music History
[1]
Contextualization of early modernism in Serbian music: Case studies of two works from 1912
[1]
Contribution of Czech Musicians to the Serbian Music in the 19th Century
[1]
Contribution of performance studies to regional popular music research: “Tamburica Fest” as performance
[1]
Contribution of Petar Krancevic to the Work of Serbian Church Singing Society in Sremska Mitrovica
[1]
Contribution of the Yugoslav Sokol organizations to the interwar sphere of music
[1]
Creating New Representations of Yugoslav national Territory: Dragutin Gostuški's Symphonic Poem Belgrade
[1]
Creating the repertoire of the Opera of the National Theatre in Belgrade (1970-1990)
[1]
Creating the repertoire of the Opera of the National Theatre in Belgrade (1970–1990)
[1]
Critical Views of Branko Dragutinović
[1]
Cultural democratization and Yugoslav youth: On the efforts and accomplishments of Society of Friends of Music in Belgrade and Musical Youth of Yugoslavia
[1]
Cultural isolation of Yugoslavia 1944–1960 and its impact on the sphere of music: the case of Serbia
[1]
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